Richard Gardner lives in the commuter village of Haverscot, with his troublesome wife and stepsons. He strikes up a friendship with the new occupant of The Willows , and is drawn into crime and violence - caused by someone with a deadly intention.

During a burglary, a young woman is raped. The fact that her father made no attempt to protect her shatters the family more than the actual violation. When the rapist is freed, one of the family decides to apply their own justice.

Is there an ethics of reading, and is this something that the interpretive humanities can and should contribute to other professional fields, including law, and to public life?

This book tests the proposition that the humanities can, and at their best do, represent a commitment to ethical reading. And that this commitment, and the training and discipline of close reading that underlie it, represent something that the humanities need to bring to other fields: to professional training and to public life.

What leverage does reading, of the attentive sort practiced in the interpretive humanities, give you on life? Does such reading represent or produce an ethics? The question was posed for many in the humanities by the "Torture Memos" released by the Justice Department a few years ago, presenting arguments that justified the use of torture by the U.S. government with the most twisted, ingenious, perverse, and unethical interpretation of legal texts. No one trained in the rigorous analysis of poetry could possibly engage in such bad-faith interpretation without professional conscience intervening to say: This is not possible.

Teaching the humanities appears to many to be an increasingly disempowered profession--and status--within American culture. Yet training in the ability to read critically the messages with which society, politics, and culture bombard us may be more necessary than ever in a world in which the manipulation of minds and hearts
is more and more what running the world is all about.

This volume brings together a group of distinguished scholars and intellectuals to debate the public role and importance of the humanities. Their exchange suggests that Shelley was not wrong to insist that poets are the unacknowledged legislators of mankind: Cultural change carries everything in its wake. The attentive interpretive reading practiced in the humanities ought to be an export commodity to other fields and to take its place in the public sphere.in the public sphere.

For pagans everywhere, internationally known pagan and mystic, T. Thorn Coyle, offers a path to make everything in one's life alive with magic. Coyle shows how to achieve harmony and balance by activating the magical Qabalistic formula known as the four powers of the sphinx: knowing, willing, daring and keeping silence.

Do you have the sense that you were born to do something more with your life but you don't know what that is? Do you long to step into your power and live a life of passion? Do you wish to be of greater service? Are you willing to follow your soul's desire?

Join master teacher, Pagan, and mystic T. Thorn Coyle in activating the magical formula known the Four Powers of the Sphinx. These four powers -- To Know, To Will, To Dare, and To Keep Silence -- help bring about a profound shift in how we view and move through the world. They will point you toward your highest purpose and show you what to do, both practically and spiritually, once you've found it. They will lead you to a life of magic.

Find your soul's work. Follow desire. Live a life that matters.

Maddox presents a richly detailed and startlingly new portrait of D. H. Lawrence: not the bearded prophet with the baleful eye, not the sickly and self-absorbed sexual outlaw, but a vulnerable, sensitive Lawrence, a hilarious mimic, a lover of nature, an inspired teacher, a brilliant journalist, an ecological visionary, and above all - as he saw himself - a married man. The prize-winning author of Nora (Mrs. James Joyce) examines Lawrence's perplexing, restless life through the greatest contradiction in it - his marriage to Frieda, a woman even more defiant of conventional morality than he was. Theirs was a mismatch made in heaven, a marriage with infidelities on both sides, verbal taunts and physical abuse, separations, and the strains of Lawrence's long struggle with tuberculosis. Yet her determined influence on his life and work cannot be overestimated, and they remained together until his bitter, tragic death.

Denying the future until government leaders end repression, revolutionary fetuses refusing to be born begin to argue amongst themselves and one by one choose to be born until only the son of Manuel Sendero is left.

In HIPPIE, his most autobiographical novel to date, Paulo Coelho takes us back in time to re-live the dream of a generation that longed for peace and dared to challenge the established social order - authoritarian politics, conservative modes of behavior, excessive consumerism, and an unbalanced concentration of wealth and power.

Following the three days of peace and music at Woodstock, the 1969 gathering in Bethel, NY that would change the world forever, hippie paradises began to emerge all around the world. In the Dam Square in Amsterdam, long-haired young people wearing vibrant clothes and burning incense could be found meditating, playing music and discussing sexual liberation, the expansion of consciousness and the search for an inner truth. They were a generation refusing to live the robotic and unquestioning life that their parents had known.

At this time, Paulo is a young, skinny Brazilian with a goatee and long, flowing hair who wants to become a writer. He sets off on a journey in search of freedom and a deeper meaning for his life: first, with a girlfriend, on the famous "Death Train to Bolivia, then on to Peru and later hitchhiking through Chile and Argentina.

His travels take him further, to the famous square in Amsterdam, where Paulo meets Karla, a Dutch woman also in her 20s. She convinces Paulo to join her on a trip to Nepal, aboard the Magic Bus that travels across Europe and Central Asia to Kathmandu. They embark on a journey in the company of fascinating fellow travelers, each of whom has a story to tell, and each of whom will undergo a transformation, changing their priorities and values, along the way. As they travel together, Paulo and Karla explore their own relationship, an awakening on every level that brings each of them to a choice and a decision that sets the course for their lives thereafter.

Debt of Honor ended with Tom Clancy's most shocking conclusion ever: a joint session of Congress destroyed, the President dead, most of the Cabinet and the Congress dead, the Supreme Court and Joint Chiefs likewise. Dazed and confused, the man who only minutes before had been confirmed as the new Vice-President of the United States is told that he is now President. President John Patrick Ryan. And that is where Executive Orders begins. Ryan had agreed to accept the vice-presidency only as caretaker for a year, and now suddenly, an incalculable weight has fallen on his shoulders. How do you run a government without a government? Where do you even begin? With stunning force, Ryan's responsibilities crush in on him. He must calm an anxious and grieving nation, allay the skepticism of the world's leaders, conduct a swift investigation of the tragedy, and arrange a massive state funeral - all while attempting to reconstitute a Cabinet and a Congress with the greatest possible speed. But that is not all. Many eyes are on him now, and many of them are unfriendly. In Beijing, Tehran, and other world capitals, including Washington, D.C., there are those eager to take advantage where they may, some of whom bear a deep animus toward the United States - some of whom, from Ryan's past, harbor intense animosity toward the new President himself. Soon they will begin to move on their opportunities; soon they will present Jack Ryan with a crisis so great even he cannot imagine it.

In SATYRICON, Eurydice embarks on a groundbreaking tour of the sexual landscape of contemporary society and transports us to the realms of dungeons,cross-dressing and bloodletting clubs. However, her most shocking discovery is that sexual deviance isn't deviant at all and that normalcy abides within such practices as necrophilia, sadomasochism and cybersex. SATYRICON rises above voyeurism, moral judgment and titillation and is a beautifully written and intelligent look at what really makes us tick.

By the end of 1943, all evidence of the abortive German attempt to assassinate Winston Churchill has been carefully buried in an unmarked grave in the Norfolk village of Studley Constable. But two of the most wanted ringleaders are still alive. In the fourth hard winter of war, British intelligence pick up disturbing reports from Heinrich Himmler's power base in Wewelsburg Castle. The mission is not yet accomplished."

.Slavistic Printings and Reprintings XL.

Groningen Studies in Cultural Change.

"Precious Ramotswe is now married to Mr. J. L. B. Matekoni, of Tlokweng Road Speedy Motors. The Agency is busy, but Mma Ramotswe cannot ignore the plea of a woman who comes to her with a tale of particular misfortune. Unfortunately, her attempts to help are interrupted by a close encounter between her tiny white van and a bicycle, and by a spectacular disagreement between her assistant, Mma Makutsi, and one of the apprentices at the garage. This apprentice has found a fancy girlfriend who drives a Mercedes-Benz. How can he be rescued from his folly? And as for Mma Makutsi, she has found a dancing class, and a man who may not be able to dance very well but who admires her greatly. And all of this happens against a background of quiet sessions of bush tea, and of a land that stretches out forever under mile upon mile of empty sky."--BOOK JACKET.

The seventh instalment of Alexander McCall Smith's series brings more adventures for Precious Ramotswe and her fine assistant Mma Makutsi, including an encounter with a cobra, a sinister blackmail plot, a rather tight-fitting pair of blue shoes, as well as plenty more bush tea and Botswana skies.

With an introduction by Q.D. Leavis. Illustrated by Philip Gough.

"Crafting an ancient myth into stories irresistibly new, Dream Angus weaves together tales of the Celtic eros and Alexander McCall Smith's contemporary alter egos, uniting dream and reality and leaving us to wonder: What is life but the pursuit of our dreams?"--BOOK JACKET.

With a Foreword by John P. McGovern.