Boeken over Feminisme

While the decline of the male hero in nineteenth- and twentieth-century literature is usually studied in isolation, Druxes uses a major manifestation of this phenomenon —the failing power of the Faust myth —as an interpretive lens through which to illuminate the corresponding rise in the viability of female Faustian heroes or would-be heroes. Her study of the female Faust figure in the realist novels of Stendhal, Gauthier, Keller, James, and the contemporary writer Morgner is further unusual in that she carries out her analyses both against the background of the sociohistorical factors conditioning these female figures and with reference to the mutual interaction of plot and novel form.

Since nineteenth-century writers make female subjectivity the arena in which the conflicts of male subjecthood are debated, their attempts to create female versions of the heroic quest for self-knowledge speak not only to the crisis of the male model but also to the crisis of the realistic novel. Using psychoanalytic theory and French feminist and deconstructionist theory, Helga Druxes shows how the female Faustian quest for worldly knowledge and subjecthood develops a new concept of identity that takes its social constructedness into account, and she demonstrates some of the transgressive narrative strategies that male and female writers have employed, embodying their dissent not only in the creation of a female Faust but in their visions of an authentic female desire for selfhood and socially regenerative female bonding.

How effective is western aid-agency intervention in Africa? What can African women do to manage the AIDS crisis? Can western feminist theory be applied to the rural African context? These vital issues, and many others, are considered in this topical book by eminent scholars and development consultants. The book aims to increase awareness of the importance of women agricultural producers to African material development and to expose the western biases that have traditionally pervaded the study of rural African women. The authors' critical analyses of conventional research methodology and key 'women and development' debates over the last three decades will stimulate new research perspectives. Students and scholars of development, development workers and policymakers will all find this book fascinating reading.

This book uses such sources as tax lists, censuses, poor relief records, newspapers, correspondence, wills, almanacs, and poetry to discuss the daily experiences of Philadelphia women who were widowed, divorced, separated, or never married.

The discussion in this study of the relations between men and women is launcher from a crucial premise: that the struggle for equal rights for women reached a point where collaboration rather than confrontation between the sexes is necessary for continued progress.

In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a writer of resistance who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem Renaissance, Hurston stands out as a strong voice for African American women. Her anthropological inquiries as well as her evocative prose provide today's readers with a rich history of African American folk culture - a folk culture through which Hurston expressed her personal and political strategy of resistance and self-empowerment. Through readings of Hurston's fiction and autobiographical writings, Plant offers one of the first book-length discussions of Hurston's personal philosophy of individualism and self-reliance. From a discussion of Hurston's preacher father and influential mother, whose guiding philosophy is reflected in the title of this book, to the influence of Spinoza and Nietzsche, Plant puts into perspective the driving forces behind Hurston's powerful prose.

This thought-provoking study offers a radically new perspective on the literature of the interwar period. Writing from a feminist-materialist perspective, the author examines novels of sensibility, domestic fictions, lesbian writing, autobiography, speculative fiction and anti-fascist writing by Virginia Woolf, Rebecca West, Rosamond Lehmann, Radclyffe Hall and many others. Maroula Joannou provides an incisive, scholarly and accessible feminist critique of the masculinist assumptions about literature of the 1920s and 1930s which have passed without adequate critical scrutiny. Selected for the CHOICE list of Outstanding Academic Books for 1995 (Choice current reviews for Academic Libraries)

Liberating Literature is, primarily, a bold and revealing book about feminist writers, readers, and texts. But is is also much more than that. Within this volume Maria Lauret manages to look with fresh vision at the American Civil Rights movement of the 1960s; socialist women's writing of the 1930s; the emergence of the New Left; and the second wave women's movement and its cultural practices. Lauret's historicisation of feminist political writing allows for a new definition of the genre, and enables her to illuminate the profound influence and importance of African-American women's writing. Well-grounded historically and theoretically, Liberating Literature speaks about and to a political and cultural tradition, and offers stunning new readings of both familiar and neglected novels within the feminist canon. Reader and students of feminist fiction cannot afford to be without this major new work.

Offers profiles of successful women science writers

A Field of her Own

Women in Irish History Series.

German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.

Having agreed that gender constitutes a fundamental category of analysis, feminists are now paying attention to variations among women. This book is part of that effort. In this volume, seventeen women psychologists address issues of diversity while exploring the effects of essentialist the presumed sameness of all women. By exposing the ways in which their own work incorporates their gender and ethnicities, the contributors invite us on a journey of awareness, a journey built on communication and collaboration.This accessible, lively book explores dilemmas of gender and ethnicity facing psychologists. It looks at various ethnic communities, including African Americans, Japanese Americans, and Mexican Americans, within settings involving issues of parenting, education, and personal and professional achievement. It should appeal to those exploring the role of women, especially ethnic minority women, from feminist as well as cultural perspectives