Engelstalig

"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times

A New York Review Books Original

 There’s a certain street—via Saterna—in the middle of Milan that just doesn’t show up on maps of the city. Orfi, a wildly successful young singer, lives there, and it’s there that one night he sees his gorgeous girlfriend Eura disappear, “like a spirit,” through a little door in the high wall that surrounds a mysterious mansion across the way. Where has Eura gone? Orfi will have to venture with his guitar across the borders of life and death to find out.

Featuring the Ashen Princess, the Line Inspector, trainloads of Devils, Trudy, Valentina, and the Talking Jacket, Poem Strip—a pathbreaking graphic novel from the 1960s—is a dark and alluring investigation into mysteries of love, lust, sex, and death by Dino Buzzati, a master of the Italian avant-garde.

Set in the grandeur of Africa a novel of passion and confrontation

1857. Jaffy Brown is running along a street in London's East End when he comes face to face with an escaped circus animal. Plucked from the jaws of death by Mr Jamrach - explorer, entrepreneur and collector of the world's strangest creatures - the two strike up a friendship. Before he knows it, Jaffy finds himself on board a ship bound for the Dutch East Indies, on an unusual commission for Mr Jamrach. His journey - if he survives it - will push faith, love and friendship to their utmost limits. Brilliantly written and utterly spellbinding, Carol Birch's epic novel brings alive the smells, sights and flavours of the nineteenth century, from the docks of London to the storms of the Indian Ocean. This great salty historical adventure is a gripping exploration of our relationship to the natural world and the wildness it contains. Longlisted for the 2011 Man Booker Prize.

This extraordinary New York Times bestseller reexamines a pivotal event of the civil rights movement—the 1955 lynching of Emmett Till—“and demands that we do the one vital thing we aren’t often enough asked to do with history: learn from it” (The Atlantic).

* A New York Times Notable Book * A Washington Post Notable Book * Longlisted for the National Book Award * Winner of the Robert F. Kennedy Book Award *An NPR, Los Angeles Times, and Atlanta Journal-Constitution Best Book of the Year *

In 1955, white men in the Mississippi Delta lynched a fourteen-year-old from Chicago named Emmett Till. His murder was part of a wave of white terrorism in the wake of the 1954 Supreme Court decision that declared public school segregation unconstitutional. Only weeks later, Rosa Parks thought about young Emmett as she refused to move to the back of a city bus in Montgomery, Alabama. Five years later, Black students who called themselves “the Emmett Till generation” launched sit-in campaigns that turned the struggle for civil rights into a mass movement. Till’s lynching became the most notorious hate crime in American history.

But what actually happened to Emmett Till—not the icon of injustice, but the flesh-and-blood boy? Part detective story, part political history, The Blood of Emmett Till “unfolds like a movie” (The Atlanta Journal-Constitution), drawing on a wealth of new evidence, including a shocking admission of Till’s innocence from the woman in whose name he was killed. “Jolting and powerful” (The Washington Post), the book “provides fresh insight into the way race has informed and deformed our democratic institutions” (Diane McWhorter, Pulitzer Prize–winning author of Carry Me Home) and “calls us to the cause of justice today” (Rev. Dr. William J. Barber, II, president of the North Carolina NAACP).

Central to this novel is Lieutenant Billy Prior, recently released from treatment for shell shock by psychiatrist Dr. William Rivers. Prior is in London, assigned to a domestic Intelligence unit. His position demands that he investigate an imprisoned female pacifist accused of plotting a political assassination - a woman who raised him as a child, and who now accuses him of betraying that childhood. At the same time, he has had a casual but intense sexual encounter with a fellow patient of Dr.

After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children are all making catastrophes of their own lives. Enid however, has her heart set on one last family Christmas.

** WINNER OF THE BOOKER PRIZE 2019 **

** SUNDAY TIMES NO. 1 BESTSELLER **

BOOK OF THE YEAR- Daily Telegraph, Evening Standard, Stylist, Sunday Times, Financial Times, Guardian, The Times, Observer, Red

Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel.

More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice- a woman who wields power through the ruthless accumulation and deployment of secrets.

As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

'Dear Readers- Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.' Margaret Atwood

In the late summer of 1913 the aristocratic young poet Cecil Valance comes to stay at Two Acres, the home of his close Cambridge friend George Sawle. The weekend will be one of excitements and confusions for all the Sawles, but it is on Georges 16-year-old sister Daphne that it will have the most lasting impact. Longlisted for the 2011 Man Booker Prize.

"Julian Treslove, a professionally unspectacular and disappointed BBC worker, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevcik, a Czechoslovakian always more concerned with the wider world than with exam results. Now, both Libor and Finkler are recently widowed, and with Treslove, his chequered and unsuccessful record with women rendering him an honorary third widower, they dine at Libor's grand, central London apartment. It's a sweetly painful evening of reminiscence in which all three remove themselves to a time before they had loved and lost; a time before they had fathered children, before the devastation of separations, before they had prized anything greatly enough to fear the loss of it. Better, perhaps, to go through life without knowing happiness at all because that way you had less to mourn? Treslove finds he has tears enough for the unbearable sadness of both his friends' losses. And it's that very evening, at exactly 11:30pm, as Treslove hesitates a moment outside the window of the oldest violin dealer in the country as he walks home, that he is attacked. After this, his whole sense of who and what he is will slowly and ineluctably change. The Finkler Question is a scorching story of exclusion and belonging, justice and love, aging, wisdom and humanity. Funny, furious, unflinching, this extraordinary novel shows one of our finest writers at his brilliant best"--Publisher description.

"From the award-winning novelist and writer of Upstairs Downstairs, the launch of a brilliant new trilogy about what life was really like for masters and servants before the world of Downton Abbey As the Season of 1899 comes to an end, the world is poised on the brink of profound, irrevocable change. The Earl of Dilberne is facing serious financial concerns. The ripple effects spread to everyone in the household: Lord Robert, who has gambled unwisely on the stock market and seeks a place in the Cabinet; his unmarried children, Arthur, who keeps a courtesan, and Rosina, who keeps a parrot in her bedroom; Lord Robert's wife Isobel, who orders the affairs of the household in Belgrave Square; and Grace, the lady's maid who orders the life of her mistress.Lord Robert can see no financial relief to an already mortgaged estate, and, though the Season is over, his thoughts turn to securing a suitable wife (and dowry) for his son. The arrival on the London scene of Minnie, a beautiful Chicago heiress with a reputation to mend, seems the answer to all their prayers. As the writer of the pilot episode of the original Upstairs, Downstairs--Fay Weldon brings a deserved reputation for magnificent storytelling. With wit and sympathy--and no small measure of mischief--Habits of the House plots the interplay of restraint and desire, manners and morals, reason and instinct. "--

'One of the greatest pleasures of my reading life. The cool elegance of the prose, the deliciously dry humour, the confident choreography of his characters make for an incomparable treat.' - Michael Palin

Anthony Powell's brilliant twelve-novel sequence chronicles the lives of over three hundred characters, and is a unique evocation of life in twentieth-century England. It is unrivalled for its scope, its humour and the enormous pleasure it has given to generations.

These first three novels in the sequence follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles which stand between them and the 'Acceptance World'.

The number 1 bestseller: King at the peak of his powers. Combining elements from THE SHINING and REBECCA, BAG OF BONES is at once a first-rate suspense novel, a legal thriller, a haunted house story and a love story - it is King at his most accessible and compelling.

Discover the origins of one of the most feared villains of all time in Thomas Harris's Hannibal Rising, a novel that promises to reveal the "evolution of Hannibal Lecter's evil." Thomas Harris first introduced readers to Hannibal Lecter in Red Dragon, a tale wrapped around FBI agent Will Graham (the man who hunted Lecter down) and his ability to "get inside the mind of the killer." Graham consults Dr. Lecter (the man who nearly killed him) on the case, and the legend of the nefarious Dr. Lecter was born. Harris's masterful and mesmerizing follow up, The Silence of the Lambs wowed fans, but it was Jonathan Demme's terrifying, Oscar-winning (Best Actor, Actress, Director, Picture and Adapted Screenplay) film, and Anthony Hopkins's extraordinary (and arguably over the top) performance that made "Hannibal the Cannibal" a household name. Hannibal, the third book in the Lecter saga made Lecter the prey and seemingly wrapped up the tale of the cannibalistic psychiatrist, but never revealed the source of the doctor's ... gifts. Fans have been waiting decades to find out how the good doctor became "death's prodigy," making Hannibal Rising one of the most anticipated books of 2006 (and movies of 2007). --Daphne Durham Hannibal Rising: An ExcerptPrologue The door to Dr. Hannibal Lecter's memory palace is in the darkness at the center of his mind and it has a latch that can be found by touch alone. This curious portal opens on immense and well-lit spaces, early baroque, and corridors and chambers rivaling in number those of the Topkapi Museum. Everywhere there are exhibits, well-spaced and lighted, each keyed to memories that lead to other memories in geometric progression. Spaces devoted to Hannibal Lecter's earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted Attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like. The palace is a construction begun early in Hannibal's student life. In his years of confinement he improved and enlarged his palace, and its riches sustained him for long periods while warders denied him his books. Here in the hot darkness of his mind, let us feel together for the latch. Finding it, let us elect for music in the corridors and, looking neither left nor right, go to the Hall of the Beginning where the displays are most fragmentary. We will add to them what we have learned elsewhere, in war records and police records, from interviews and forensics and the mute postures of the dead. Robert Lecter's letters, recently unearthed, may help us establish the vital statistics of Hannibal, who altered dates freely to confound the authorities and his chroniclers. By our efforts we may watch as the beast within turns from the teat and, working upwind, enters the world. Chapter 6 Lothar heard it first as he drew water, the roar of an engine in low gear and cracking of branches. He left the bucket on the well and in his haste he came into the lodge without wiping his feet. A Soviet tank, a T-34 in winter camouflage of snow and straw, crashed up the horse trail and into the clearing. Painted on the turret in Russian were AVENGE OUR SOVIET GIRLS and WIPE OUT THE FASCIST VERMIN. Two soldiers in white rode on the back over the radiators. The turret swiveled to point the tank's cannon at the house. A hatch opened and a gunner in hooded winter white stood behind a machine gun. The tank commander stood in the other hatch with a megaphone. He repeated his message in Russian and in German, barking over the diesel clatter of the tank engine. "We want water, we will not harm you or take your food unless a shot comes from the house. If we are fired on, every one of you will die. Now come outside. Gunner, lock and load. If you do not see faces by the count of ten, fire." A loud clack as the machine gun's bolt went back. Count Lecter stepped outside, standing straight in the sunshine, his hands visible. "Take the water. We are no harm to you." The tank commander put his megaphone aside. "Everyone outside where I can see you." The count and the tank commander looked at each other for a long moment. The tank commander showed his palms. The count showed his palms. The count turned to the house. "Come." When the commander saw the family he said, "The children can stay inside where it's warm." And to his gunner and crew, "Cover them. Watch the upstairs windows. Start the pump. You can smoke." The machine gunner pushed up his goggles and lit a cigarette. He was no more than a boy, the skin of his face paler around his eyes. He saw Mischa peeping around the door facing and smiled at her. Among the fuel and water drums lashed to the tank was a small petrol-powered pump with a rope starter. The tank driver snaked a hose with a screen filter down the well and after many pulls on the rope the pump clattered, squealed, and primed itself. The noise covered the scream of the Stuka dive bomber until it was almost on them, the tank's gunner swiveling his muzzle around, cranking hard to elevate his gun, firing as the airplane's winking cannon stitched the ground. Rounds screamed off the tank, the gunner hit, still firing with his remaining arm. The Stuka's windscreen starred with fractures, the pilot's goggles filled with blood and the dive bomber, still carrying one of its eggs, hit treetops, plowed into the garden and its fuel exploded, cannon under the wings still firing after the impact. Hannibal, on the floor of the lodge, Mischa partly under him, saw his mother lying in the yard, bloody and her dress on fire. "Stay here!" to Mischa and he ran to his mother, ammunition in the airplane cooking off now, slow and then faster, casings flying backward striking the snow, flames licking around the remaining bomb beneath the wing. The pilot sat in the cockpit, dead, his face burned to a death's head in flaming scarf and helmet, his gunner dead behind him. Lothar alone survived in the yard and he raised a bloody arm to the boy. Then Mischa ran to her mother, out into the yard and Lothar tried to reach her and pull her down as she passed, but a cannon round from the flaming plane slammed through him, blood spattering the baby and Mischa raised her arms and screamed into the sky. Hannibal heaped snow onto the fire in his mother's clothes, stood up and ran to Mischa amid the random shots and carried her into the lodge, into the cellar. The shots outside slowed and stopped as bullets melted in the breeches of the cannon. The sky darkened and snow came again, hissing on the hot metal. Darkness, and snow again. Hannibal among the corpses, how much later he did not know, snow drifting down to dust his mother's eyelashes and her hair. She was the only corpse not blackened and crisped. Hannibal tugged at her, but her body was frozen to the ground. He pressed his face against her. Her bosom was frozen hard, her heart silent. He put a napkin over her face and piled snow on her. Dark shapes moved at the edge of the woods. His torch reflected on wolves' eyes. He shouted at them and waved a shovel. Mischa was determined to come out to her motherhe had to choose. He took Mischa back inside and left the dead to the dark. Mr. Jakov's book was undamaged beside his blackened hand until a wolf ate the leather cover and amid the scattered pages of Huyghens' Treatise on Light licked Mr. Jakov's brains off the snow. Hannibal and Mischa heard snuffling and growling outside. Hannibal built up the fire. To cover the noise he tried to get Mischa to sing; he sang to her. She clutched his coat in her fists. "Ein Mannlein . . ." Snowflakes on the windows. In the corner of a pane, a dark circle appeared, made by the tip of a glove. In the dark circle a pale blue eye.

Our study deals with the question of whether the structure and nature of Islamic religiosity differs significantly from the religiosity of adherents of the three major Christian confessions. Four religious culturol settings - a Bosnian Muslim one, a Slovenian Catholic one, a Serbian Orthodox one and an American Protestant one - are compared on the basis of a variety of measures of religiosity, resulting from a survey carried out on large student samples in 2005. Allthough certain cultural peculiarities of the Muslim group are noticeable, these peculiarities do not suffice to characterize Islamic religiosity as significantly structurally different as compared to the three Christian groups. On the other hand, some interesting differences appeared in the comparison of the two most intensively religious groups: the American Protestants and the Bosnian Muslims.

On his death bed, David, warrior-king of Israel, reflects on his life, future representations of him, and his troublesome family, while he awaits God's apology.

#1 NEW YORK TIMES BESTSELLER • “[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths.”—Newsday

Winner of the Whitbread Prize

One of the most controversial and acclaimed novels ever written, The Satanic Verses is Salman Rushdie’s best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, The Satanic Verses is a key work of our times.

Praise for The Satanic Verses

“Rushdie is a storyteller of prodigious powers, able to conjure up whole geographies, causalities, climates, creatures, customs, out of thin air.”—The New York Times Book Review

“Exhilarating, populous, loquacious, sometimes hilarious, extraordinary . . . a roller-coaster ride over a vast landscape of the imagination.”—The Guardian (London)

“A novel of metamorphoses, hauntings, memories, hallucinations, revelations, advertising jingles, and jokes. Rushdie has the power of description, and we succumb.”—The Times (London)

He's black and he's proud. The warm compelling document of one man who lived and fought for his dream

PostScript, a revolutionary, device-independent page description language, is quickly becoming the industry standard for printing high-quality integrated text and graphics. It is a powerful, flexible language that has the ability to describe efficiently the appearance of text, images, and graphic material on the printed page.

Using numerous annotated examples and short programs, the tutorial provides a step-by-step guided tour of PostScript, highlighting those qualities that make it such a unique and powerful language. The cookbook offers a collection of some of the most useful techniques and procedures available to PostScript programmers.

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Named one of the Best Books of 2014 by NPR

As seen on The Today Show

A hand-drawn path to inner peace!

Your Illustrated Guide to Becoming One with the Universe will set you free on a visual journey of self-discovery. Set against a surreal backdrop of intricate ink illustrations, you will find nine metaphysical lessons with dreamlike instructions that require you to open your heart to unexplored inner landscapes. From setting fire to your anxieties to sharing a cup of tea with your inner demons, you will learn how to let go and truly connect with the world around you.

Whether you need a little inspiration or a completely new life direction, Your Illustrated Guide to Becoming One with the Universe provides you with the necessary push to find your true path--and a whimsical adventure to enjoy on the way there.

Something Happened Good as God and now (God Knows. Joseph Hellers powerful, wonderfully funny, deeply moving new novel 1s the storv of David—yes, that David: warrior king of Isracl, husband of Bathsheba, father of Solomon, slaver of Goliath, and psalmust nonpareil as well as the David we've never known unal now: David the cocky Jewish kid, David the fabulous lover, David the plagrarized poet (his best work eribbed by everyone from Chaucer to Freud to Auden), David the Jewish father, David the one-time (and yearning-to-be-again) crony of God..….At last, David 1s telling his own story, and he tells allequally unembarrassed by his faults, his sins, his incomparable glory

"Catch-22" is like no other novel we have ever read. It has its own style, its own rationale, its own extraordinary character. It moves back and forth from hilarity to horror. It is outrageously funny and strangely affecting. It is totally original. It is set in the closing months of World War II, in an American bomber squadron on a small island off Italy. Its hero is a bombardier named Yossarian, who is frantic and furious because thousands of people he hasn't even met keep trying to kill him. (He has decided to live forever even if he has to die in the attempt.).