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    The Edge Of The World

    The Edge Of The World

    Engels.Paperback, in zeer goede staat

    An epic adventure: from the Vikings to the Enlightenment, from barbaric outpost to global hub, this book tells the dazzling history of northern Europe's transformation by sea.

    'Pye writes like a dream. Magnificent' Jerry Brotton, author of A History of the World in Twelve Maps
    ______________

    This is a story of saints and spies, of anglers and pirates, traders and marauders - and of how their wild and daring journeys across the North Sea built the world we know.

    When the Roman Empire retreated, northern Europe was a barbarian outpost at the very edge of everything. A thousand years later, it was the heart of global empires and the home of science, art, enlightenment and money. We owe this transformation to the tides and storms of the North Sea.

    Boats carried food and raw materials, but also new ideas and information. The seafarers raided, ruined and killed, but they also settled and coupled. With them they brought new tastes and technologies - books, science, clothes, paintings and machines. Drawing on an astonishing breadth of learning and packed with human stories and revelations, this is the epic drama of how we came to be who we are.
    ______________

    'A closely-researched and fascinating characterisation of the richness of life and the underestimated interconnections of the peoples all around the medieval and early modern North Sea' Chris Wickham, author of The Inheritance of Rome: A History of Europe from 400 to 1000

    'Elegant writing and extraordinary scholarship . . . Miraculous' Hugh Aldersey-Williams, author of Periodic Tales and Anatomies

    'Bristling, wide-ranged and big-themed . . . at its most meaningful, history involves a good deal of art and storytelling. Pye's book is full of both' Russell Shorto, New York Times

    'For anyone, like this reviewer, who is tired of medieval history as a chronicle of kings and kingdoms, knights and ladies, monks and heretics, The Edge of the World provides a welcome respite' Prof Patrick J Geary, Wall Street Journal

    Michael Pye ;

    € 7,50

    The Recognition of...

    The Recognition of Sakuntala

    Engels, paperback, als nieuw

    KING Yes. I shall release you - SAKUNTALA When? KING When? When, like a bee, I kiss the bud of your unbruised lip And flood my thirsting mouth with nectar. Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience. The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Kalidasa, ;

    € 5,00

    Marc Chagall

    Marc Chagall

    Engels, gebonden met omslag. Omslag is beschadigd (en matig hersteld) aan de bovenkant van de rug. In goede staat

    Part of the Jewish Encounter series

    Novelist and critic Jonathan Wilson clears away the sentimental mists surrounding an artist whose career spanned two world wars, the Russian Revolution, the Holocaust, and the birth of the State of Israel. Marc Chagall’s work addresses these transforming events, but his ambivalence about his role as a Jewish artist adds an intriguing wrinkle to common assumptions about his life. Drawn to sacred subject matter, Chagall remains defiantly secular in outlook; determined to “narrate” the miraculous and tragic events of the Jewish past, he frequently chooses Jesus as a symbol of martyrdom and sacrifice.

    Wilson brilliantly demonstrates how Marc Chagall’s life constitutes a grand canvas on which much of twentieth-century Jewish history is vividly portrayed. Chagall left Belorussia for Paris in 1910, at the dawn of modernism, looking back dreamily on the world he abandoned. After his marriage to Bella Rosenfeld in 1915, he moved to Petrograd, but eventually returned to Paris after a stint as a Soviet commissar for art. Fleeing Paris steps ahead of the Nazis, Chagall arrived in New York in 1941. Drawn to Israel, but not enough to live there, Chagall grappled endlessly with both a nostalgic attachment to a vanished past and the magnetic pull of an uninhibited secular present.

    Wilson’s portrait of Chagall is altogether more historical, more political, and edgier than conventional wisdom would have us believe–showing us how Chagall is the emblematic Jewish artist of the twentieth century.

    Visit nextbook.org/chagall for a virtual museum of Chagall images.

    Jonathan Wilson ;

    € 11,50
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