Essay over het nu achterhaald lijkende concept van de natiestaat.

Gids per streek voor de volksdans en volksmuziek in Spanje en Portugal.

A provocative study based on imaginative historical research and very fine close readings. The book provides a useful American complement to Helena Michie's The Flesh Made Word and Margaret Homans's Bearing the World. It should prove enlightening and otherwise useful not just to scholars of American literature, but also to those engaged in American studies, feminist criticism and theory, women's studies, the sociology of medicine and illness, and the history of science and medicine. Cynthia S. Jordan, Indiana University

Childbirth is a quintessential family event that simultaneously holds great promise and runs the risk of danger. By the late nineteenth century, the birthing room had become a place where the goals of the new scientific professional could be demonstrated, but where traditional female knowledge was in conflict with the new ways. Here the choice of attendants and their practices defined gender, ethnicity, class, and the role of the professional. Using the methodology of social science theory, particularly quantitative statistical analysis and historical demography, Charlotte Borst examines the effect of gender, culture, and class on the transition to physician-attended childbirth. Earlier studies have focused on physician opposition to midwifery, devoting little attention to the training for and actual practice of midwifery. As a result, until now we knew little about the actual conditions of the midwife's education and practice. Catching Babies is the first study to examine the move to physician-attended birth within the context of a particular community. It focuses on four representative counties in Wisconsin to study both midwives and physicians within the context of their community. Borst finds that midwives were not pushed out of practice by elitist or misogynist obstetricians. Instead, their traditional, artisanal skills ceased to be valued by a society that had come to embrace the model of disinterested, professional science. The community that had previously hired midwives turned to physicians who shared ethnic and cultural values with the very midwives they replaced.

Gillian Brown explores the key relationship between domestic ideology and formulations of the self in 19th-century America. Arguing that domesticity not only presumes but institutes distinctions of gender, class, and race, Brown reveals how these distinctions in turn inform identity. She offers a new reading of writings by Stowe, Hawthorne, Melville, Fern, and Gilman.

Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." ÑPolly Wells Kaufman in Women's Review of Books "A powerful masterpiece." ÑEve Gruntfest in The Professional Geographer

The author recalls the stories of three generations of African American women in her family--her grandmother's move from Alabama to Chicago, her mother's relocation to Boston after her father's death, and her own journey to Africa and back

Thirty-five-year-old careerwoman Ellen Green wants a child, but her boyfriend Malcolm doesn't, so she is forced to consider the option of single motherhood, in a new novel by the best-selling author of Animal Husbandry.

"James Purdy is a marvel. His new collection of stories confirms the wacky elegance that has been Purdy's stock in the writing trade during a distinguished career that goes back to the middle '50s.... Splendid." – Chicago Tribune

Historische beschouwingen over de Verenigde Staten, gekoppeld aan een biografische schets van Gerald Ford, van 1974 tot 1977 president van de Verenigde Staten.

From reviews of the first edition:"The book has a clear and readable style, moving easily between vignettes of marketwomen's lives, descriptions of the markets themselves, and surveys of the theoretical literature. Babb's long, close involvement with the Huaraz markets is apparent. As someone who has spent a lot of time in Andean markets, I found the book pleasurable to read, because it recreated the experience of the marketplace so well."--American Ethnologist"Between Field and Cooking Pot offers details of the daily lives of marketwomen in the central Andean departmental capital of Huaraz. . . . A welcome addition to studies of women and international development, this book contains a wealth of firsthand material, collected through informal participant-observation as well as formal interviews and analysis of statistical data. . . . The book encourages us to imagine how the dynamic culture of marketwomen might intersect with the construction, representation, and effects of class and gender."--American Anthropologist"The book has a clear and readable style, moving easily between vignettes of marketwomen's lives, descriptions of the markets themselves, and surveys of the theoretical literature. Babb's long, close involvement with the Huaraz markets is apparent. As someone who has spent a lot of time in Andean markets, I found the book pleasurable to read, because it recreated the experience of the marketplace so well."--American EthnologistThis revised edition of Between Field and Cooking Pot offers an updated appraisal of what neoliberal politics and economics mean in the lives of marketwomen in the nineties, based on new fieldwork conducted in 1997. Babb also reflects on how recent currents in feminist and anthropological studies have caused her to rethink some aspects of Andean marketers in Peruvian culture and society.

Producing against Poverty is an anthropological research on micro-entrepreneurs in Lima, Peru. It analyses the way micro-producers accumulate capital. The anthropological approach of the book starts with an analysis of the daily lives of the micro-producers. Its gender approach makes a comparison between the position of men and women throughout its argumentation. The author also analyses the conditions of labourers working for micro-producers. By paying extensive attention to the subcontracting links between micro-production and the large scale production process, she carefully builds up to general conclusions which go way beyond the micro level of analysis. Micro-production reproduces poverty by subordinating important participants of the production such as women and labourers. The ultimate conclusion is that the informal sector grows not only in times of economic recession, but also in times of economic growth.

"[Examines] the intersection between class, gender, and ethnicity among direct production workers in Albuquerque. ... [P]rovides an alternative perspective that stresses differences of experience among women belonging to distinct ethnic groups and socio-economic strata."--Page 4 of cover.