The biography of Mildred Harnack, the only American woman to have been executed for treason against Germany during World War II. With her husband, Mildred was a founding member of the Red Orchestra, an intelligence group that transmitted messages of resistance with the use of contraband radios.

Tijdens de Tweede Wereldoorlog moet een Australische arts de uitgeputte krijgsgevangenen die aan de Birma-spoorweg werken overeind houden.

Rijk geill. geschiedenis van dit Italiaanse automerk.

From head-scratching challenges to hair-pulling bafflers, IQ Boosters has more than 300 great puzzles to try! These puzzles will test solvers’ powers of logic, reasoning, ingenuity, and wordplay. Flex your mental muscle with some of the toughest nuts to crack, including Geometracts, a visually vexing boggler, as well as Tic-Tac-Topology, a strategy game for two players. There are also lost, hidden, and missing-number conundrums that add up to loads of brain-stretching fun.

Met afbeeldingen in z-w en kleur van diersculpturen.

Met bijdragen van meerdere auteurs over de nieuwe bibliotheek van Almere, met kleurenfoto's van Wim Ruigrok.

Tent.cat. van geljknamige tent. (Hermitage, Amsterdam) met bijdragen van meerdere auteurs en z-w en kleurenill.

Mede vanuit eigen ervaringen geschreven overzicht van de Nederlandse praktijk ten aanzien van asielzoekers, die vaak onnodig bureaucratisch en willekeurig is.

Traces Puerto Rican industrialization since the 1950s from the point of view of a young girl, covering incidents that are important to children but often dismissed as trivial by adults

A new edition of Mayo's controversial 1927 book, with commentary that sheds new light on Indian nationalism of this period

Reviewing The Collected Greed Parts 1-13 (Black Sparrow, 1984) in the Los Angeles Times, critic Kenneth Funsten heralded Diane Wakoski as "a mature poet, unimpressed by obfuscation or autobiography for their own sakes, but intent upon illuminating substance". That same clarity of vision and illuminating substance pervades this "new and selected" volume, which gathers together the long awaited "Greed: Part 14" along with all Wakoski's poems "written over the years concerning food and drink", as the poet explains in her introduction, "and the beauty that I have discovered through these subjects". Plath imagined blood red tulips in white hospitals as I think of Georgia O'Keefe's poppies. My mother who voted for Nixon and hates foreigners dreams of those red and white cans which might hold Chicken Noodle or Tomato soups. She's never heard of Andy Warhol who mimicked such cans, just as a butcher I talked to in our Michigan supermarket said that he had never eaten shrimp, or knew what people did with oxtails. His apron too had the same bright red stains, not yet faded into rust. Crimson blood on canvas, the art of childhood. Unhealed scars, still capable of bleeding. Contemplating her past -- "the exploration of Diane through her Western beach girl persona, her Medea-life, to her final snaky Medusa self" -- Wakoski honestly confronts her "Greed for Purity", comes to terms with "aging, living in the Midwest", and learns, "partly through the aesthetics of food and drink, to live a kind of 'still-life.'"

Enhanced with 15 new essays, this collection is the benchmark of an acclaimed writer's spunk and sense of place. Originally published in 1987, "Falling Through Space" provides a funny and intimate diary of a writer's self-discovery. 42 photos.

This volume investigates the role played by women in ancient, more recent and contemporary history and demonstrates that taking into account the activities of women radically alters the perspectives of historians.

What happenes when a woman looks into a mirror? Does she see her face or does she see herself? Jenijoy La Belle finds that women--both in literature and in life--interact with their reflected images for reasons that far transcend the gratification of vanity. In this thought-provoking account of the role played by the mirror in women's self-conceptions, La Belle focuses attention on literature of the last two hundred years in which a woman confronts her looking glass, and through her perception of how she looks, begins to consider who she is.

"In the old South Africa we killed people. Now we’re just letting them die." —Pieter Dirk Uys, South African satirist Today in South Africa, HIV/AIDS kills about 5 in 10 young people. Many of the victims are miners and commercial sex workers who ply their trade in mining communities. In this critique of government-sponsored and privately funded HIV/AIDS prevention programs in South Africa, Catherine Campbell exposes why it has been so difficult to stop the HIV/AIDS epidemic. Campbell’s research focuses on local vectors of the disease such as what people believe about the spread and prevention of AIDS, what measures they take to prevent disease, and whether they are likely to seek treatment at local AIDS clinics. "Letting Them Die" is not just an investigation into sexuality, social relations, health, and medicine; it is also a sharp review of the kinds of programs that are becoming the standard method of HIV/AIDS intervention throughout Africa.