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Aan de hand van de correspondentie tussen een diplomaat, de heer van Amerongen, z?n vrouw en hun zoon, officier in het leger, wordt een beeld geschetst van alle facetten van het beruchte rampjaar 1672.

Memoires van de Italiaanse librettist en avonturier (1749-1838).

Geschiedenis van het Nederlandstalige kinderboek vanuit literair ( -historisch) oogpunt, behandeld naar chronologie (ME, 15e en 16e eeuw, 17e t/m 20e eeuw) en naar thema (kinderboeken in Vlaanderen, in de reclame, het uiterlijk, drukkers en uitgevers).

Few poets have excited such extremes of admiration and hostility as Dylan Thomas, the Welshman who was perhaps the greatest lyric poet of the 20th Century. This authoritative biography is based on a wealth of previously unpublished material (including 2 poems) gathered by the author in more than 200 interviews and extensive research in the UK & USA. With 25 b/w illustrations.

In this gripping account of the boyhood, marriage, and young professional life of Abraham Lincoln, award-winning writer Russell Freedman brings to life the presidential years, scholarly thoughts and reflections of the Civil War president. Winner of the 1988 Newbery Medal.



This 1988 Newbery Medal-winning biography of our Civil War president is warm, appealing, and illustrated with dozens of carefully chosen photographs and prints. Russell Freedman begins with a lively account of Abraham Lincoln's boyhood, his career as a country lawyer, and his courtship and marriage to Mary Todd. Then the author focuses on the presidential years (1861 to 1865), skillfully explaining the many complex issues Lincoln grappled with as he led a deeply divided nation through the Civil War. The book's final chapter is a moving account of that tragic evening in Ford's Theatre on April 14, 1865. Additional content includes a sampling of Lincoln's writings and a detailed list of Lincoln historical sites.

Keuze uit het werk van de Russische dichter (1891-1938).

The psychological theory of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to understand how music evokes emotions. These efforts evolved into a general theory of expectation that will prove informative to readers interested in cognitive science and evolutionary psychology as well as those interested in music. The book describes a set of psychological mechanisms and illustrates how these mechanisms work in the case of music. All examples of notated music can be heard on the Web.

Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.

The story of David is the greatest single narrative representation in antiquity of a human life evolving by slow stages through time, shaped by the pressures of political life, family, the impulses of body and spirit, and the eventual sad decay of the flesh. In its main character, it provides the first full-length portrait of a Machiavellian prince in Western literature.The beautiful, musical David, loved by all, resourceful slayer of Goliath, is revealed through his life to be a calculating political animal. To advance his own cause, he becomes a collaborator with the archenemies of Israel, the Philistines. Later he commits adultery with Bathsheba, and compounds the betrayal with murder. But through the author's empathy and skill, David also emerges as a fully realized character, a man of passion and intelligence who navigates the ambiguities of belief, loyalty, ambition, temptation, and circumstance with uneven success.

Guided by a literal reading of the prophetic sections of the Bible, Christian Zionists are convinced that the world is hurtling toward a final Battle of Armageddon. They believe that war in the Middle East is God’s will for the region. In this timely book, Victoria Clark first explores the 400-year history of this powerful political ideology, laying to rest the idea that Christian Zionism is a passing craze or the province of a lunatic fringe. Then Clark surveys the contemporary Christian Zionist scene in Israel and in the United States, where the influence of the religious fundamentalists has never been greater.

Clark engages with Christian Zionism directly, interviewing leaders, attending events, and traveling with Christian Zionists in the Holy Land. She also investigates the Christian Zionist presence in Israel. She finds that the view through the Christian Zionist lens is dangerously simple: President Bush’s War on Terror is a mythic battle between good and evil, and Syria and Iran represent the powers of darkness. Such views are far from rare—an estimated fifteen to twenty million Americans share them. Almost one in three Americans believes Israel was given to the Jews by God as a prelude to the Battle of Armageddon and Jesus’ Second Coming. Clark concludes with an assessment of Christian Zionists’ impact on American foreign policy in the Middle East and on America’s relationships with European allies since the attacks of 9/11.

Bundeling van verspreid proza van de Nederlandse dichter (1924-1994).

Samengesteld op basis van de tentoonstelling 'Geldzucht, vraatzucht, geilheid in woord en beeld' (Amsterdam, Galerie de Tor, 1972).

Antroposofische interpretatie van enkele passages uit de "Divina Commedia"

The Barbarians Speak re-creates the story of Europe's indigenous people who were nearly stricken from historical memory even as they adopted and transformed aspects of Roman culture. The Celts and Germans inhabiting temperate Europe before the arrival of the Romans left no written record of their lives and were often dismissed as "barbarians" by the Romans who conquered them. Accounts by Julius Caesar and a handful of other Roman and Greek writers would lead us to think that prior to contact with the Romans, European natives had much simpler political systems, smaller settlements, no evolving social identities, and that they practiced human sacrifice. A more accurate, sophisticated picture of the indigenous people emerges, however, from the archaeological remains of the Iron Age. Here Peter Wells brings together information that has belonged to the realm of specialists and enables the general reader to share in the excitement of rediscovering a "lost people." In so doing, he is the first to marshal material evidence in a broad-scale examination of the response by the Celts and Germans to the Roman presence in their lands.

The recent discovery of large pre-Roman settlements throughout central and western Europe has only begun to show just how complex native European societies were before the conquest. Remnants of walls, bone fragments, pottery, jewelry, and coins tell much about such activities as farming, trade, and religious ritual in their communities; objects found at gravesites shed light on the richly varied lives of individuals. Wells explains that the presence--or absence--of Roman influence among these artifacts reveals a range of attitudes toward Rome at particular times, from enthusiastic acceptance among urban elites to creative resistance among rural inhabitants. In fascinating detail, Wells shows that these societies did grow more cosmopolitan under Roman occupation, but that the people were much more than passive beneficiaries; in many cases they helped determine the outcomes of Roman military and political initiatives. This book is at once a provocative, alternative reading of Roman history and a catalyst for overturning long-standing assumptions about nonliterate and indigenous societies.

Hugo Claus (1929-2008) stond erom bekend dat hij zijn ambacht tot in de puntjes beheerste. Zijn eruditie, veelzijdigheid en creatieve speelsheid zijn niet minder geprezen. Bij alle waardering voor Claus' literaire meesterschap mag niet worden vergeten dat de schrijver zowel in het publieke domein als in zijn gedichten, romans en toneelwerk voortdurend de confrontatie aanging met de politiek. Van het gekonkelfoes in achterkamertjes en het geroddel aan de toog tot de grote verhalen van priesters, collaborateurs en bankiers: Claus wist het allemaal even lucide als trefzeker te analyseren en van commentaar te voorzien. Voor eenduidige standpunten of partijpolitieke boodschappen bleek zijn intellectuele natuur allerminst geschikt.

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created--in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in Mad magazine.

The story of the rise and fall of those comic books has never been fully told--until The Ten-Cent Plague. David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.

When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.
The Ten-Cent Plague radically revises common notions of popular culture, the generation gap, and the divide between "high" and "low" art. As he did with the lives of Billy Strayhorn and Duke Ellington (in Lush Life) and Bob Dylan and his circle (in Positively 4th Street), Hajdu brings a place, a time, and a milieu unforgettably back to life.

This volume includes full-color reproductions of drawings and woodblock prints by Japan's most beloved artist. These landscapes-including his famous views of Mount Fuji- portraits of lovers and kabuki actors, nature and animal illustrations, as well as scenes of daily life in eighteenth and nineteenth-century Japan reveal the artist's genius for rendering a wide variety of subjects. Matthi Forrer discusses in his essay Hokusai's life and lasting popularity while placing his work within the context of Japanese society and the work of his contemporaries.

Giordano Bruno is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland’s pathbreaking life of Bruno establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo, a thinker whose vision of the world prefigures ours.

By the time Bruno was burned at the stake as a heretic in 1600 on Rome’s Campo dei Fiori, he had taught in Naples, Rome, Venice, Geneva, France, England, Germany, and the “magic Prague” of Emperor Rudolph II. His powers of memory and his provocative ideas about the infinity of the universe had attracted the attention of the pope, Queen Elizabeth—and the Inquisition, which condemned him to death in Rome as part of a yearlong jubilee.

Writing with great verve and sympathy for her protagonist, Rowland traces Bruno’s wanderings through a sixteenth-century Europe where every certainty of religion and philosophy had been called into question and shows him valiantly defending his ideas (and his right to maintain them) to the very end. An incisive, independent thinker just when natural philosophy was transformed into modern science, he was also a writer of sublime talent. His eloquence and his courage inspired thinkers across Europe, finding expression in the work of Shakespeare and Galileo.

Giordano Bruno allows us to encounter a legendary European figure as if for the first time.

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest--a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.

In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa's intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest.

A daring account of the philosophical development of the idea of a rational society and its consequences for the present

In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present and future world.

Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In his exploration of barbershop, Averill uncovers a rich musical tradition--a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life. Barbershop harmony played a central -- and overlooked -- role in the panorama of American music. Averill demonstrates that the barbershop revival was part of a depression-era neo-Victorian revival, spurred on by insecurities of economic and social change. Contemporary barbershop singing turns this nostalgic vision into lived experience. Arguing that the "old songs" function as repositories of idealized social memory, Averill reveals ideologies of gender, race, and class. This engagingly-written, often funny book critiques the nostalgic myths (especially racial myths) that have surrounded the barbershop revival, but also celebrates the civic-minded, participatory spirit of barbershop harmony. The contents of the CD have been replaced by a companion website with helpful links, resources, and audio examples.

Politiek, achtergronden en actualiteiten in Turkije.

Psychologische achtergronden van het geloof in onzichtbare entiteiten die het menselijk leven beïnvloeden.

Grondbeginselen van de natuurkunde in historische context.