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    Ten Cities that Made...

    Ten Cities that Made an Empire

    Gebonden met omslag in zeer goede staat, maar met handgeschreven gelukswens op voorste schutblad. Met drie illustratiekaterns.

    From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised itSince the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and imperial cities of Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool: their architecture, culture, and society balls; the famines, uprisings and repressions which coursed through them; the primitive accumulation and ghostly bureaucracy which ran them; the British supremacists and multicultural trailblazers who inhabited them.From the pioneers of early America to the builders of modern India, from west to east and back again, Hunt follows the processes of exchange and adaptation that collectively moulded the colonial experience and which in their turn transformed the culture, economy and identity of the British Isles. This vivid and richly detailed imperial story, located in ten of the most important cities which the Empire constructed, demolished, reconstructed and transformed, allows us a new understanding of the British Empire's influence upon the world and the world's influence upon it.TRISTRAM HUNT is one of Britain's best known historians. Since 2010 he has been the MP for Stoke-on-Trent Central, and in October 2013 was made Shadow Secretary of State for Education. He is a senior lecturer in British history at Queen Mary, University of London, and has written numerous series for radio and television. He is also a regular contributor to the Times, Guardian and Observer. His previous books include The English Civil War at First Hand, Building Jerusalem, and The Frock-Coated Communist: The Revolutionary Life of Friedrich Engels, which was published in more than a dozen languages.Praise for The Frock-Coated Communist:'Beautifully written and consistently engaging' - Independent'An excellent book ... Hunt has a mastery of 19th-century British culture and European political thought' - Robert Service, Sunday Times'Thoughtful and engaging' - Telegraph Review

    Tristram Hunt ;

    € 9,50

    How Do We Look? The...

    How Do We Look? The Eye of Faith

    gebonden met omslag, vrijwel als nieuw

    "The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?In Part One, she examines how the human figure was portrayed in some of the earliest art in the world - from the gigantic stone heads carved by the Olmec of Central America to the statues and pottery of the ancient Greeks to the terracotta army of the first emperor of China. And she explains how one particular version of representing the human body, which goes back to the ancient world, still influences (and sometimes distorts) how people in the West see their own culture and that of others. Throughout this story, she is concerned not only with the artists who made images, but with those who have used them, viewed them and interpreted them. In other words: 'How Do We Look?' In Part Two, Mary Beard turns to the relationship between art and religion. For centuries, religion has inspired art: from the Hindu temple at Angkor Wat to the Christian mosaics of Ravenna to the exquisite calligraphy of Islamic mosques. But making the divine visible in the human world has never been simple. All religions have wrestled with idolatry and iconoclasm, destroying art as well as creating it - and asking how to look with 'The Eye of Faith.'"--Jacket.

    Mary Beard ;

    € 12,50

    The Gypsy-bachelor of...

    The Gypsy-bachelor of Manchester. The life of Mrs. Gaskell s Demon

    Halflinnen met omslag, in zeer goede staat

    Despite feminist reassessments to the contrary, the conventional view that Elizabeth Gaskell personified the Victorian feminine ideal is still very much in place today. Challenging that view in an experimental biography, Felicia Bonaparte proposes that there lived in ""Mrs. Gaskell"" another, antithetical self, a daemonic double, that was not an angel in the house but instead a creature born to be a ""gypsy-bachelor."" Bonaparte does not dispute that ""Mrs. Gaskell"" did exist, but she suggests that Gaskell conceived her, as much as any fictional character, out of a desperate need produced by her childhood experience of rejection and abandonment, in order to gain the love of friends and family and the approval of the world. Gaskell herself, Bonaparte argues, told the story of her double in images encoded in her letters, fiction, and life. Using the methods of literary criticism for biographical ends, Bonaparte traces a pattern of these images, showing how a metaphor that may turn up as a figure of speech in one of Gaskell's letters may be embodied in a character in one of her short stories, dramatized in an incident or plot in one of her novels, and even actualized in an action or a relationship in her life. To reach the inner woman, Bonaparte claims, it is necessary to ""read"" Gaskell's letters, fiction, and life as a single poetic text. In addition to presenting a radically different interpretation both of Gaskell and of her literary work, Bonaparte's unique approach opens up interesting possibilities in a number of other areas: in the writing of biography, in the analysis of metaphor in the nineteenth-century novel, in the study of the relationship between literature and life, in the exploration of links between the inner and outer self, and in women's studies generally.

    Felicia Bonaparte ;

    € 11,50

    Tao. De levende...

    Tao. De levende religie van China

    Paperback, vrijwel als nieuw

    Prachtige nieuwe editie van dé klassieker over het taoïsme: de belangrijkste filosofische, mystieke en religieuze stroming van China In Tao beschrijft de Nederlandse taoïst Kristofer Schipper in heldere taal de geschiedenis van deze Chinese leer. Hij verdiept zich in de rituelen en in de elementen waaruit de leer is opgebouwd, zoals de grote aandacht voor het menselijk lichaam en de kosmologie. Dit boeiende boek is gebaseerd op diverse taoïstische geschriften en is daardoor zowel een uitstekende inleiding voor buitenstaanders als waardevol materiaal voor wie al vertrouwd is met de filosofie van het taoïsme. Daarnaast is het een essentieel werk voor wie meer van China wil weten. Het land is voor de westerse beschouwer niet goed te begrijpen zonder kennis van deze eeuwenoude levensbeschouwing. In alles wat er de afgelopen eeuw in dit machtige rijk is voorgevallen, zowel onder het maoïsme als tijdens de gigantische industrialisatie, heeft de Tao bewust of onbewust doorgewerkt. Tao is veel meer dan een godsdienst, het is een manier van kijken en een manier van in het leven staan. Een religie zonder gelovigen en zonder canonieke leerstellingen, maar met enorm veel invloed op de Chinese cultuur. In de pers 'Een bijzonder en kleurrijk boek.' Trouw 'Een levendige, geestige en vaak fascinerende beschrijving van misschien wel de oudste continue religie ter wereld.' de Volkskrant Bron: Flaptekst, uitgeversinformatie.

    Kristofer Marinus Schipper ;

    € 11,50
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