Muziekboeken

One evening, journalist Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites and began an epic quest that would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Nonfiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach's manuscript in the eighteenth century; Pablo Casals's discovery and popularization of the music in Spain in the late-nineteenth century; and Siblin's infatuation with the suites in the present day. The search led Siblin to Barcelona, where Casals, just thirteen and in possession of his first cello, roamed the backstreets with his father in search of sheet music and found Bach's lost suites tucked in a dark corner of a store. Casals played them every day for twelve years before finally performing them in public. Siblin pursues the mysteries that continue to haunt this music more than 250 years after its composer's death: Why did Bach compose the suites for the cello, then considered a lowly instrument? What happened to the original manuscript? A seamless blend of biography and music history, The Cello Suites is a true-life journey of discovery, fueled by the power of these musical masterpieces.

The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration."
Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.

Wiskunde speelt een belangrijke rol bij de compositie en analyse van muziek: toonhoogte, toonduur, notatie, golven en reeksen.

Verkenningen over muziek en van de muzikale belevingswereld van de auteur.

Scenario van en documentatie over de gelijknamige film, waarin een vrouw in Nieuw Zeeland zich alleen in pianospel kan uiten. (Gouden Palm, Cannes 1993)

Schetsen over (opera)zangers; met cd.

Autobiografie van de gitarist/medeoprichter van de Rolling Stones.

Now in paperback, after five hardcover printings, Tommy James’s wild and entertaining true story of his career—part rock & roll fairytale, part valentine to a bygone era, and part mob epic—that “reads like a music-industry version of Goodfellas” (The Denver Post).

Everyone knows the hits: “Hanky Panky,” “Mony Mony,” “I Think We’re Alone Now,” “Crimson and Clover,” “Crystal Blue Persuasion.” All of these songs, which epitomize great pop music of the late 1960s, are now widely used in television and film and have been covered by a diverse group of artists from Billy Idol to Tiffany to R.E.M. Just as compelling as the music itself is the life Tommy James lived while making it.

James tells the incredible story, revealing his complex and sometimes terrifying relationship with Roulette Records and Morris Levy, the legendary Godfather of the music business. Me, the Mob, and the Music is a fascinating portrait of this swaggering, wildly creative era of rock ’n’ roll, when the hits kept coming and payola and the strong-arm tactics of the Mob were the norm, and what it was like, for better or worse, to be in the middle of it.

Praktische gids.

Bundel liedteksten, voorzien van commentaar waarin Wiegersma verhaalt over het onstaan en de achtergronden van de liedjes. Wiegersma was de tekstschrijver en levenspartner van cabaretier Wim Sonneveld.

By giving brief accounts of the lives, characters, and history of great violinists, this book brings out the special achievement of each. A "family tree" shows the stylistic lineage of such differing players as Perlman, Stern, and Menuhin in unbroken teacher-pupil continuity back to Corelli.

In 1955, at the age of 23, pianist Glenn Gould burst onto the world stage with his inspired recording of Bach's Goldberg Variations. His dynamic virtuosity and passionate artistry inspired millions, and he spent the next nine years as a star on the international concert circuit. In 1964 he announced that he was retiring from live performance, and he devoted the rest of his life to recording and documentaries. Glenn Gould: A Life in Pictures is the first photographic treatment of the life of one of the greatest and most fascinating musicians of our time. This collection of more than 200 images includes a treasure trove of family pictures from the Glenn Gould Estate and rare photos from the CBC archives, Sony Classical and the National Library of Canada. The foreword by Yo-Yo Ma and the introduction by music critic Tim Page provide an insightful overview of Gould's life and art. Extensive captions by the estate's literary adviser and quotations from Gould himself and other luminaries, such as Leonard Bernstein, Yehudi Menuhin, Leopold Stokowski and Leonard Rose, appear throughout the book. The result is a lively portrait of a creative genius.

Lexicon van de westerse klassieke muziek, waarin behalve vreemde termen en biografische gegevens over componisten ook analyses van hun voornaamste werken zijn opgenomen.

In 1975, four teenagers gathered in a kitchen in Dublin to discuss forming a band. The drum kit just about fit into the room, the lead guitarist had a homemade guitar, the bassist could barely play at all and nobody wanted to sing. Over thirty years later, they are still together, bound by intense loyalty, passionate idealism and a relentless belief in the power of rock and roll to change the world. U2 have sold over 130 million albums, revolutionized live performance all over the world, spearheaded political campaigns and made music that defines the age we live in. From the anarchic days of their Seventies punk origins, through their Eighties ascent to superstardom, the dark post-modern ironies of the Nineties and their 21st-century resurgence as rock's biggest and boldest band, this is a tale of faith, love, drama, family, birth, death, survival, conflict, crises, creativity--and a lot of laughter.--From publisher description.

Naslagwerk voor de westerse klassieke muziek.

Yehudi Menuhin shares with the reader his unique store of understanding about the violin, about how to exercise and practise, and about the techniques of performance. His reflections on the nature and scope of his instrument are profoundly illuminating and his theories on interpretation particularly valuable. William Primrose writes the distinguished monograph on the viola and describes the instrument as 'a violin with a college education'.

Featuring annotations and commentary by Stone himself, the screenplay of the controversial director's new motion picture Nixon is accompanied by essays by officials of the Nixon Administration and photographs from the film. Original. Movie tie-in.