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    The Hermitage

    The Hermitage

    Paperback, note on title page, in good condition. With pictures.

    The Hermitage showcases some of the most famous treasures from the State Hermitage Museum in St Petersburg, including Leonardo's Benois Madonna and Rembrandt's Return of the Prodigal Son, as well as superb examples of Scythian gold, ancient Egyptian statues, and Russian decorative art. With an introduction by Professor Mikhail Piotrovsky, director of the museum, and a detailed floor plan, The Hermitage is an indispensable guide to a remarkable museum.

    Dr. Vladimir Matveyev (ed.);

    € 7,50

    Glassified 25 Ar Med...

    Glassified 25 Ar Med Moderne Glas - 25 years with contemporary glass [SIGNED]

    RARE: SIGNED copy with a personal note written by the Author. Exclusive 168-page jubilee book in hardback. Richly illustrated with color photos. Written by author and cultural journalist Niels Houkjær. Foreword by director Dagmar Brendstrup. The book tells the history of Glasmuseet through 25 years of exhibitions and draws the threads from Studioglas birth in the early 1960s to the contemporary expression of contemporary glass art. The book also contains an interview with sculptor Bjorn Norgaard in connection with his staging of the museum's anniversary exhibition. Texts in Danish and English. Niels Houkjaer (1946) is also autror of the books: It is Denmark AND The Danisch Islands. [ZELDZAAM, Gegisneerd met persoonlijke opdracht]

    Niels Houkjaer;

    € 200,00

    Fifteenth-Century...

    Fifteenth-Century Persian Painting

    Softcover in goede staat. Cover deels verkleurd. Binnenwerk zeer netjes. Prima ex.

    In this book, B.W. Robinson traces the development of the different styles of Persian painting during the fifteenth century, and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century, and then proceeds to tackle in order the three main fields of controversy: painting under the Turkmans, Timurid paintings in Transoxiana and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development, and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now, which he identifies as originating in Transoxiana. Finally he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.

    Robinson, B.W.;

    € 24,50
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