Set in the heart of the Sussex Downs, Charleston Farmhouse is the most important remaining example of Bloomsbury decorative style. But the garden, described by Virginia Woolf on her arrival in 1916 as "charming. . . now run rather wild" became and remained central to life in the farmhouse. The walled garden, created by Vanessa Bell and Roger Fry from the vegetable garden after the war, as well as the pond, the orchard, and the lawns which shade off into the fields, all contributed in a major sense to the creative energies of the place. And this creativity is reflected in the numerous works of art in stone, in wood, in brick, and in ceramic that Bell, Fry, Duncan Grant, and the next generation -- notably Quentin Bell -- contributed to the garden to enhance (and sometimes to comment on or to counterpoint) the simple but expressive planting schemes. Now, for the first time, the year-round charm and glory of this most English and most artistic of gardens has been captured by one of Britain's leading garden photographers.

Biografie van de Nederlandse koningin (1880-1962) vanaf haar geboorte tot het einde van de Eerste Wereldoorlog.

Presents a provacative study of the diverse and complex characters of the the six wives of Henry VIII and their impact on the world

The lamps are going out all over Europe; we shall not see them lit again in our life-time.' Sir Edward Grey, British foreign secretary, 3 August 1914. Drawing on a wealth of material from the Guardian archives 'When the lamps went out' presents a surprising, immediate, sometimes bleakly humorous, sometimes horrifying insight into life during the Great War. We see Boy Scouts patrolling the British coasts, David Lloyd George addressing women war workers, Charlie Chaplin impersonators on the Euston Road and Vesta Tilley at the Ardwick Empire. We see suffragist nurses on the Western Front and Bolsheviks in Glasgow, Pathan soldiers in Flanders and Anglo-Japanese armies in China. Small countries are saved - and aliens persecuted. New technologies - from picture houses to the first reports of gas weapons - are reported upon, as well as movie stars and John Buchan's bestsellers. The bloody battles, defeats, and victories are all here but this book focuses on the women, men and children who lived, loved, defied, perished and survived in the war to end all wars.

From marvellously illustrated pages leaps a rogues’ gallery of characters past and present who have, over the last 400 years, made this bohemian corner of London what it is.

De la révolution d'octobre 1917 aux derniers événements de 1922, la guerre civile russe a fait des ravages : des millions de morts, épidémies de typhus et de choléra, famine et misère, terreur et déportation des populations. On connaît surtout la lutte des rouges contre les Russes blancs. Mais une troisième force issue du monde rural émergeait. Bandes de pillards ou années de partisans, paysans insurgés, les "verts" se sont battus contre les blancs et les rouges : ils ont refusé la circonscription, la réquisition de récoltes ou se déclaraient pour la liberté du commerce et contre la dictature de la ville, rejetant les "communes", anarchistes, socialistes révolutionnaires ou ultra-nationalistes. Leur histoire est ici revisitée à la lumière de documents russes, souvent inédits en français, traduits par Jean-Jacques Marie. Ces témoignages sont rares. Ils ont disparu ou ont été qualifiés de "bandits" ; Staline les a gommés de l'histoire pour réduire la révolution à un conflit manichéen. L'historiographie, quant à elle, leur réserve une place presque inexistante. Le récit des événements - ponctué de ces textes et de témoignages forts - fait apparaître des acteurs mythiques : Makhno et son armée, le général Wrangel, les révoltés de Cronstadt, le baron fou Ungern ou le chef partisan Kotovski...

Uses new and original source material to reconstruct the events leading to the assassination of Archduke Ferdinand and focuses on the man behind the killing and the events which lead to World World I.