Decoratieve en kleurrijke schilderingen door de vrouwen uit de streek Mithila in India.

Based on letters written by England's "Lost Queen," this revealing portrait describes the niece to Mary Queen of Scots and cousin to Elizabeth I who became a pawn in the power struggles of her age and tried unsuccessfully to flee her fate, dying a tragic death in the tower of London. 15,000 first printing.

The distinguished Soviet dissident, wife and confederate of Andrei Sakharov, details her and her husband's life in internal exile, harassment by security personnel, her recent experiences in the United STates, and her future prospects.

Enacted by reformers, radicals, and reactionaries, the drama of American sexual politics since the Civil War is as diverse and unpredictable as the nation's citizenry. In this collection of sixteen essays, the shifting tensions between sexual reform and repression are seen in historical explorations of men's and women's sexuality, of the sexual-social dynamics of lesbians and gay men, of the violent repression of African-American sexuality. The broad range of methodological approaches and perspectives make this multidisciplinary anthology an exciting contribution to the history of sexuality. Included are Anthony S. Parent, Jr., and Susan Brown Wallace on childhood and sexual identity under slavery; Martha Hodes on white women and Black men in the South; Kevin J. Mumford on male sexual impotence and Victorian Culture; Jesse F. Battan on language, authority, and sexual desire; Joan Smith Iversen on the antipolygamy controversy, 1880-1890; Angus McLaren on sex radicalism in the Canadian Pacific Northwest, 1890-1920; Pamela S. Haag on ideologies of love, modern romance, and women's sexual subjectivity; Ann duCille on the novels of Jessie Fauset and Nella Larsen; Robyn Wiegman on the anatomy of lynching; Sonya Michel on sexuality in postwar films; Carole Joffe on abortion before legalization; Roy Cain on disclosure and secrecy among gay men; Joshua Gamson on condoms; Lillian Faderman on the return of butch and femme; Katherine Cummings on teaching AIDS; and Arthur Flannigan-Saint-Aubin on "black gay male" discourse. This diverse overview of American sexual politics will interest students and scholars of the history of sexuality, gender studies, women's studies, and gay studies.

Childbirth is a quintessential family event that simultaneously holds great promise and runs the risk of danger. By the late nineteenth century, the birthing room had become a place where the goals of the new scientific professional could be demonstrated, but where traditional female knowledge was in conflict with the new ways. Here the choice of attendants and their practices defined gender, ethnicity, class, and the role of the professional. Using the methodology of social science theory, particularly quantitative statistical analysis and historical demography, Charlotte Borst examines the effect of gender, culture, and class on the transition to physician-attended childbirth. Earlier studies have focused on physician opposition to midwifery, devoting little attention to the training for and actual practice of midwifery. As a result, until now we knew little about the actual conditions of the midwife's education and practice. Catching Babies is the first study to examine the move to physician-attended birth within the context of a particular community. It focuses on four representative counties in Wisconsin to study both midwives and physicians within the context of their community. Borst finds that midwives were not pushed out of practice by elitist or misogynist obstetricians. Instead, their traditional, artisanal skills ceased to be valued by a society that had come to embrace the model of disinterested, professional science. The community that had previously hired midwives turned to physicians who shared ethnic and cultural values with the very midwives they replaced.

Historisch overzicht in woord en beeld van het rooms-katholicisme in Nederland in de 20ste eeuw.

Tent.cat. verschenen bij de gelijknamige tent. (ING Cultureel Centrum, Brussel) met bijdragen van meerdere auteurs en 197 cat.nrs. waarvan vel geill. in kleur.

Beschrijving van een twintigtal opgravingen, rijk geillustreerd in kleur.

This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class, they also voluntarily adopt a traditional symbol of female subordination. How can this paradox be explained? An explanation emerges which reconceptualizes what appears to be reactionary behavior as a new style of political struggle--as accommodating protest. These women, most of them clerical workers in the large government bureaucracy, are ambivalent about working outside the home, considering it a change which brings new burdens as well as some important benefits. At the same time they realize that leaving home and family is creating an intolerable situation of the erosion of their social status and the loss of their traditional identity. The new veiling expresses women's protest against this. MacLeod argues that the symbolism of the new veiling emerges from this tense subcultural dilemma, involving elements of both resistance and acquiescence.

"Narcissus and Echo" is about romantic confessional fiction, in which the woman dies and the man lives to tell "his" tale. Whether femme fatale, nun, sister, aristocrat or fallen women, she is always somehow blamed for her own destruction. What motivates the man's narrative and how does the women's voice, curiously, survive the text? Naomi Segal brings insights from feminist and psychoanalytic theory to bear on writers such as Chateaubriand, Musset, Prevost and Gautier. Running throughout this lively and provocative study are dichotomies between speech and sight, male "doubles" and female "mirror", the narcissism of nostalgia and the paradoxes of undesire.

American edition of French original tells the story of Bibendum, the Michelin man in advertising.

This timely collection of essays focuses on issues of gender and sexuality in Irish history, biography, language, literature, and drama. The book's concern with gender and sexuality connects a series of interweaving narratives that at once complicate and enrich our understanding of what it means to be Irish.