This collections offers a focus on women and their partners, in unexpected combinations and relationships, from the housewife innocently causing an erotic chain reaction in her neighbourhood, to a newly dominant woman giving her husband a taste of leather.

Toegevoegd: Gevacolor, principes positiefproces behandeling (Gevaert. 40 p.), over o.a. kleurentheorie, met aparte (!) bladwijzer, alsmede 2x het boekje 'zelf afwerken met Agfacolor'. van Walter Boje.

Caroline Vaughan's photographs offer inspired and surprising visions of landscapes, still lifes, and the human form. In Borrowed Time, her images of nature and people, sometimes surreal and often arresting, follow each other to create a visual poem of opposition and likeness, physical beauty and balance. Compelling the viewer's attention with delicate rich tones and meticulous technique, she holds the viewer's gaze even when her subject is difficult. Most highly acclaimed for her psychologically complex but subtle portraits of family, friends, loved ones, and strangers, Vaughan's work, though widely published and displayed, is collected here for the first time.

An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. The accomplishment of these professional and amateur photographers clearly demonstrated a mastery of the medium and made a strong impression on those in attendance. Ambassadors of Progress explores this largely unknown event. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques. The book contains essays by Verna Curtis (Curator of Photography, Library of Congress -- on Frances Benjamin Johnston as photographer and curator), Michel Poivert (President, Societe Francaise de Photographie -- on the French critical reception), Derrick R. Cartwright (Director, Hood Museum of Art, Dartmouth College -- on the relationship of pictorialist photography to contemporary American painting), and Andrew Robb (Senior Photograph Conservator, Library of Congress -- on the conservation processes surrounding these works).

Grace Lau's photographic journey through the world of sexuality, gender identity and sado-masochistic subculture has earned her a reputation as one of the leading photographers of the perverse. This retrospective details that journey from her earliest male nudes, to her life as a voyeur at Skin Two functions and in the dungeons of dominatrices, culminating in her most recent work on cross-dressing. From a feminist perspective, Grace Lau explores sex and power and produces work that is revelatory, liberating and that celebrates the variety of sexual experience.

Throughout the history of photography the genre of landscape has been dominated by male perspectives. Shifting Horizons makes us rethink our perceptions of the inner and outer landscapes we experience. Ten women photographers reinterpret the notion of “landscape." Using techniques ranging from historical non-silver processes to new digital imaging technologies, they are concerned with borders: between land and sea, day and night, inside and outside, public and private, absence and presence, space and enclosure, image and words; past, present and future.

This book tells of Mathew B. Brady, a Civil War photographer, with over 300 reproductions of his work.

This extraordinary combination offers viewers a fresh new look into the world of photography."--BOOK JACKET.