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    The Forbidden Worlds...

    The Forbidden Worlds of Haruki Murakami

    Mooi exemplaar, Engelstalige paperback, als nieuw. Geen naam voorin, nog mooie rechte rug, geschikt als cadeau.

    In an "other world" composed of language--it could be a fathomless Martian well, a labyrinthine hotel or forest--a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami's characters and readers alike. Memories and dreams in turn conjure their magical counterparts--people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer's extraordinary fiction.

    Fervently acclaimed worldwide, Murakami's wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami's writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami's most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami's depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.

    Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer's vivid "inner world," whether unconscious or underworld (what some Japanese critics call achiragawa, or "over there"), and its connectivity to language. Strecher covers all of Murakami's work--including his efforts as a literary journalist--and concludes with the first full-length close reading of the writer's newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

    Matthew Strecher;

    € 10,00

    The Catcher in the Rye

    The Catcher in the Rye

    Engelstalige pocket in goede staat. Naam voorin, scheve rug door het lezen. Klassieker.

    J. D. Salinger wrote one of the most famous books ever written, The Catcher in the Rye. Salinger wrote many stories and, in 1941, after several rejections, Salinger finally cracked The New Yorker, with a story, "Slight Rebellion Off Madison," that was an early sketch of what became a scene in "The Catcher in the Rye." The magazine then had second thoughts in part because of World War II in which Salinger was in combat, and held the story for five years before finally publishing it in 1946, buried in the back of an issue. Everyone was surprised when the story and the book that followed it became a bit hit. Even today nobody can really explain why Catcher in the Rye is so famous and so popular. Yet, millions have been sold and are still being sold even though only available as used books nowadays. When The Catcher in the Rye was published in 1951, it was registered for copyright as "additional material." This obviously referred to the earlier work "Slight Rebellion Off Madison." The copyright page on "The Catcher in the Rye" states "Copyright 1945, 1946, 1951 by J. D Salinger." The date of 1945 obviously refers to the publication of "I'm Crazy," a short story written by Salinger and published in the December 22, 1945 issue of Collier's magazine that first introduced the character Holden Caulfield to the reading public. Salinger later reworked this short story to incorporate it into The Catcher in the Rye. The two earlier stories are "I'm Crazy," an early version of Holden's departure from prep school that later shows up in The Catcher in the Rye. With minor alteration, much of this story is familiar to readers as the chapter where Holden visits Mr. Spencer. What sets this story apart is the presence of an additional Caulfield sister and the clarity of Holden's resignation and compromise at the end. "Slight Rebellion off Madison" is an early version of another scene in The Catcher in the Rye. The story follows Holden when he is home from Pency and goes to the movies, then skating with Sally Hayes, followed by his drunken calls to her apartment late at night. An early story, it is the first of Salinger's Caulfied works to be accepted for publication.

    J.D. Salinger;

    € 4,00

    The Cossacks

    The Cossacks

    Engelse vertaling. Paperback. 28 x 22 cm., in zeer goede staat

    All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work-but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light-illegal at that hour-is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to the curbstone. A three-horse sledge from the post-station is there also. A yard-porter muffled up and pinched with cold is sheltering behind the corner of the house. 'And what's the good of all this jawing?' thinks the footman who sits in the hall weary and haggard. 'This always happens when I'm on duty.' From the adjoining room are heard the voices of three young men, sitting there at a table on which are wine and the remains of supper. One, a rather plain, thin, neat little man, sits looking with tired kindly eyes at his friend, who is about to start on a journey. Another, a tall man, lies on a sofa beside a table on which are empty bottles, and plays with his watch-key. A third, wearing a short, fur-lined coat, is pacing up and down the room stopping now and then to crack an almond between his strong, rather thick, but well-tended fingers. He keeps smiling at something and his face and eyes are all aglow. He speaks warmly and gesticulates, but evidently does not find the words he wants and those that occur to him seem to him inadequate to express what has risen to his heart.

    Leo Tolstoy ;

    € 10,00
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