Tent.cat. van gelijknamige tent. (Hedendaagse Kunst - Utrecht) interview door Wouter Kotte met de kunstenaar, z-w ill., lijst getoonde werken.

Tent.cat. van gelijknamige tent. (Museum Boymans-van Beuningen, Rotterdam; Bonnefantenmuseum, Maastricht) met tekst in Nederlands en Engels van Dick Hillenius, z-w ill.,biografie, lijst getoonde werken.

Tent. cat. van gelijknamige, reizende tent. (Aachen, Ludwigshafen, Gelsenkirchen, Utrecht, Hasselt, Wien) met bijdragen in Duits en Engels van meerdere auteurs, z-w en kleurenill.

Methode voor ondernemers om het rendement van investeringen in internet te bepalen en te verbeteren.

In Lost Saints Tricia Lootens argues that parallels between literary and religious canons are far deeper than has yet been realized. She presents the ideological underpinnings of Victorian literary canonization and the general processes by which it occurred and discloses the unacknowledged traces of canonization at work today. Literary legends have accorded canonicity to women writers such as Felicia Hemans, Elizabeth Barrett Browning, and Christina Rossetti, she contends, but often at the cost of discounting their claims as serious poets. "Saint Shakespeare", midcentury "Woman-Worship", and "Shakespeare's Heroines" provide three focal points for analysis of how nineteenth-century criticism turned the discourse of religious sanctity to literary ends. Literary secular sanctity could transform conflicts inherent in religious canonization, but it could not transcend them. Even as they parody the lives of the saints, nineteenth-century lives of the poets reinscribe old associations of reverence with censorship. They also carry long-standing struggles over femininity and sanctity into new, highly charged secular contexts. Through case studies of the canonization of Elizabeth Barrett Browning and Christina Rossetti, Lootens demonstrates how nineteenth-century literary legends simultaneously glorified women poets and opened the way for critical neglect of their work. The author draws on a wide range of sources: histories of literature, religion, and art; medieval studies and folklore; and nineteenth-century poetry, essays, conduct books, textbooks, and novels.

Summary: The dictionary in this volume is derived from the Collins English Dictionary and the thesaurus element is derived from the New Collins Thesaurus.

This invaluable Handbook provides a compendium of investigation relevant to modern medical practice. the first part of the book is patient-centered, describing key symptoms and signs along with tests which may be useful in reaching a diagnosis. the second part of the book is specialty-centered, and provides a comprehensive review of all available tests within a given subject. It provides a synopsis of most of the investigative techniques used in the basic medical sciences and the major clinical specialties. In addition there are sections devoted to imaging tests (radiology and nuclear medicine

Tent.cat. van de gelijknamige tent. (Museum of Fine Arts, Boston) met bijdragen van Ann Dumas, Jane Mayo Roos en James F. McMillan, met 113 geill. cat.nrs.

Niet alleen het nieuws verandert steeds, ook de manier waarop het vorm krijgt in de krant. In 1970, na de fusie tussen NRC en het Handelsblad, was de krant zwart-wit met loodgezette letters. Inmiddels ligt er een full-colour, digitaal geproduceerd medium, dat ook op internet, e-reader en iPad te lezen is. Sinds 2006 is er bovendien nrc.next met een eigen formaat, beeldtaal en lay-out. Scherpe Letters schetst de veranderende vorm van de krant en diverse bijlagen, de ontwikkeling van techniek en nieuwe manieren waarop lezers informatie tot zich willen nemen. Met veel illustraties en een korte historie van de bekendste NRC-strips: Ollie B. Bommel, Kamagurka en Fokke en Sukke. In oktober-december zal over dit onderwerp een tentoonstelling te zien zijn in museum De Lakenhal in Leiden. Het jubileum krijgt ruim aandacht in NRC Handelsblad.

Tent.cat. t.g.v. gelijknamige tent. (Kunsthalle Tubingen; Nationalgalerie Berlin) met meer dan 200 ill. in z-w en kleur, biografie, biblografie, personenregister.

How jurors come to a verdict in a trial is a fascinating topic with many unexpected aspects. Inside the Juror presents the most interesting and sophisticated work to date on juror decision making from several traditions--social psychology, behavioral decision theory, cognitive psychology, and behavioral modeling. The authors grapple with crucial questions, such as: Why jurors who hear the same evidence and arguments in the courtroom enter the jury room with disagreements about the proper verdict and how biases and prejudices affect jurors' decisions. And just how "rational" is the typical juror? As an introduction to the scientific study of juror decision making in criminal trials, Inside the Juror provides a comprehensive and understandable summary of the major theories of juror decision making and the research that has been conducted to evaluate their validity.

In het kader van het Iers-Nederlands cultureel verdrag samengestelde tentoonstellingscatalogus, waarin zeven essays en vele illustraties een beeld geven van de oud-Ierse kunst.

Leaving Women Behind demonstrates how outdated institutions penalize single mothers, working wives, and widows. The authors identify needed changes to bring antiquated public policies into the twenty-first century. They offer realistic solutions that empower people, giving them more choices and more control over their lives.