An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. The accomplishment of these professional and amateur photographers clearly demonstrated a mastery of the medium and made a strong impression on those in attendance. Ambassadors of Progress explores this largely unknown event. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques. The book contains essays by Verna Curtis (Curator of Photography, Library of Congress -- on Frances Benjamin Johnston as photographer and curator), Michel Poivert (President, Societe Francaise de Photographie -- on the French critical reception), Derrick R. Cartwright (Director, Hood Museum of Art, Dartmouth College -- on the relationship of pictorialist photography to contemporary American painting), and Andrew Robb (Senior Photograph Conservator, Library of Congress -- on the conservation processes surrounding these works).

Grace Lau's photographic journey through the world of sexuality, gender identity and sado-masochistic subculture has earned her a reputation as one of the leading photographers of the perverse. This retrospective details that journey from her earliest male nudes, to her life as a voyeur at Skin Two functions and in the dungeons of dominatrices, culminating in her most recent work on cross-dressing. From a feminist perspective, Grace Lau explores sex and power and produces work that is revelatory, liberating and that celebrates the variety of sexual experience.

Throughout the history of photography the genre of landscape has been dominated by male perspectives. Shifting Horizons makes us rethink our perceptions of the inner and outer landscapes we experience. Ten women photographers reinterpret the notion of “landscape." Using techniques ranging from historical non-silver processes to new digital imaging technologies, they are concerned with borders: between land and sea, day and night, inside and outside, public and private, absence and presence, space and enclosure, image and words; past, present and future.

This book tells of Mathew B. Brady, a Civil War photographer, with over 300 reproductions of his work.

Celebrates the achievements of thirty women working in the motion picture industry, including actors, directors, producers, screenwriters, film editors, and production designers.

This extraordinary combination offers viewers a fresh new look into the world of photography."--BOOK JACKET.

Set on an island in the South Pacific during the final days of World War II, when the tide has turned against Japan and the war has unmistakably become one of attrition, The Breaking Jewel offers a rare depiction of the Pacific War from the Japanese side and captures the essence of Japan's doomed imperial aims. The novel opens as a small force of Japanese soldiers prepares to defend a tiny and ultimately insignificant island from a full-scale assault by American forces. Its story centers on squad leader Nakamura, who resists the Americans to the end, as he and his comrades grapple with the idea of gyokusai (translated as "the breaking jewel" or the "pulverization of the gem"), the patriotic act of mass suicide in defense of the homeland. Well known for his antiestablishment and antiwar sentiments, Makuto Oda gradually and subtly develops a powerful critique of the war and the racialist imperial aims that proved Japan's undoing.

A Martha's Vineyard vacation in book form: more than 100 stunning color photos capture the light, the colors, and the mood of summer on America's favorite vacation island.

Novellen, waarin het menselijk isolement in een verstarde samenleving centraal staat.