Gids met tekst in Nederlands, Engels, Duits en Frans over de enscenering in het herdenkingscentrum van de `Slag om Bastogne` in december 1944.

Foto's met begeleidende teksten over het leven van de Duitse theoloog (1906-1945) die zich teweerstelde tegen de nazi's en dat met zijn leven moest bekopen.

Verschenen t.g.v. de voltooiing van de restauratie van de kerk in 1998; geschiedschrijving van de bouw, etc. vastgelegd in vele, z-w ill.

Tent.cat. bij gelijknamige tent. (Koln, Hamburg) met bijdragen van meerdere auteurs en cat.deel met 265 cat.nrs. veelal in z-w, enkele in kleur afgebeeld.

Tent.cat. bij gelijknamige tent. (Allard Pierson Museum, Amsterdam) met tekst in Engels en Nederlands, z-w en kl.ill.

Platenboek met z-w en kleurenoto`s van Klaus G. Beyer.

Boek horend bij de Teleac-cursus op radio/tv met 269 ill. in z-w en kleur.

Platenboek met full page kleurenfoto`s.

Foremost a picturebook with 594 illustrations in b/w and colour.

Platenboek met 93 kleurenill. voorzien van korte beschrijving.

A portrait based on firsthand interviews and conversations with fellow stars, directors, and friends offers insight into Ingrid Bergman's professional achievements and scandalous decision to abandon her family for a life in Italy with Roberto Rossellini.

Marian Anderson was a woman with two disparate voices. The first--a powerful, majestic contralto spanning four octaves--catapulted her from Philadelphia poverty to international fame. A second, softer voice emanated from her mere presence: an unwavering refrain of opportunity and accomplishment in the face of racial prejudice. Allan Keiler chronicles the life of the legendary singer and activist from the childhood manifestation of her musical genius to her worldwide celebrity. As he shows, community and familial support could not shield her from the economic hardship and bigotry she encountered in her early performing days. Early successes in London and Berlin set the stage for her American breakthrough while the triumphant 1939 Lincoln Memorial concert established her immediately as an icon in the struggle against discrimination. Keiler reveals a woman more comfortable as artist than activist. But if Anderson's intense privacy and devotion to her work distanced her from a direct role in the civil rights movement, she remained a powerful symbol of possibility.Drawing on rare archives and meetings with Anderson before her death, Marian Anderson is a magnificent study of a groundbreaking American artist

Survey of postwar modern art in Europe and the U.S.A.; with b/w and colour ill.

Met z-w en kl.illM

Tent.cat.van gelijknamige tent. (Museum Dr. Guislain, Gent) met bijdragen in het Nederlands, Engels en Frans van meerdere auteurs over het verschijnsel Pijn; met z-w en kl.ill.

Publicatie met werk van deze Duitse glaskunstenares in kleur en z-w.

Beschrijving van het eenpersoonshuishouden als levensvorm op basis van interviews.

Lillian Ellison, known in the ring as the Fabulous Moolah, is one of wrestling's pioneering veterans and heroines, both in and out of the squared circle. When wrestling first caught the attention of the public, Moolah had a ringside seat. Appearing on the scene in 1949 as a "valet" for some male wrestlers, she was introduced to the crowd as a "slave girl" dressed in revealing leopardskin. But the woman who got into the business for the "moolah" wouldn't remain a valet for long, and soon Moolah turned her humble beginnings into a successful and long-lived career. Growing up in Tookiedoo, South Carolina, Moolah was the youngest of thirteen children -- and the only girl. Surrounded by twelve rambunctious brothers, she had to be tough from the get-go. After the death of their mother when she was just ten years old, Moolah and her father spent Tuesday nights at local professional wrestling matches. At first she was just excited to do something special with her father. But everything changed when Mildred Burke (one of the most popular "lady rasslers" of the day) came to town. After years of being surrounded by boys, Moolah had finally found a woman she could look up to. From that night on, Moolah was hooked. She stayed in the ring throughout the 1950s and 1960s, even though technically women were banned from wrestling "for their own good." When the Women's Division of the National Wrestling Alliance was failing, Moolah started training girls at her home base in South Carolina, and by the late sixties the girls she had trained at Girl Wrestling Enterprises represented the single largest group of female wrestlers in the country. Soon the National Wrestling Alliance recognized her as the undisputed Women's Champ, a title she would hold for the next twenty years. Here, for the first time, the Fabulous Moolah tells all, from her friendship with the infamous Jerry Lee Lewis to a marriage proposal from country-music legend Hank Williams Sr. Moolah dishes plenty of wrestling dirt as well and relates hilarious moments from her decades long friendship with her in-ring cohort Mae Young. After more than half a century of wrestling, Moolah still trains girls for the ring and even manages to get into the ring herself now and again. She is a role model for strong women everywhere, and she will go down in history as one of wrestling's all-time greats.

A systematic evaluation of how top photographers approach their field for optimal results draws on in-depth interviews with successful photographers from a variety of disciplines, in a study that considers such topics as the sources of photographer inspiration, the development of a signature style, and the role of postproduction. Original.

Thriving on its long-term collective memory of possessing futurity, the mega city of Shanghai on the Eastern seaboard of China is once more jockeying for the position as Asia's foremost modern place. An essential part of the regeneration of contemporary Shanghai has been the return, not only of foreign direct investment, but of 'Westerners' to the city since the 1990s. Contributing to current debates about the globality and mediatization of memories, Lagerkvist critically interrogates Shanghai's spectacular resurrection into an emergent world center from the vantage point of how Western elites (tourists, expatriates and travel bloggers) partake in the production of New Shanghai. Through performances of memory, Westerners consume the regenerative nostalgia of the city. This book shows that these mediatized memory practices become essential for the city and tie in with how the municipal government (in tandem with international scriptings of the city in for example films and travel journalism) is currently theming Shanghai by situating memories of futures past and visions for the future in a coherent narrative and sensory-emotive realm of experience.