De correspondentie tussen de beide Vlaamse auteurs (1912-1979 en 1882-1960) uit de periode 1942-1947.

Keuze van 15 brieven van de Nederlandse humanist (1469-1536) met toelichtingen en annotaties.

De Antwerpse auteur Willem Elsschot (1882-1960) is eigenlijk maar dertig jaar literair actief geweest. Vóór alles was hij de reclameman/'marketeer' Alfons De Ridder. Zijn zakelijke correspondentie, hoofdzakelijk in het Frans geschreven, overtreft dan ook in omvang vele malen zijn literaire brievenproductie. In 1993 bezorgde Vic van de Reijt samen met Lidewijde Paris de Brieven-editie, waarin vooral het schrijversleven aandacht kreeg. De afgelopen jaren kreeg hij toegang tot De Ridders zakelijk archief, dat wonderwel bewaard gebleven is in een vochtige Antwerpse kelder. De vele ontdekkingen die hij daarin deed vormen het hart van een Elsschot-biografie die voor het eerst recht doet aan de schrijver én de zakenman. En dan blijkt dat de zachtmoedige Frans Laarmans het in de praktijk vaak tegen mijnheer Boorman moest afleggen.

Shallow Seas are the most biologically rich and productive areas of the world ocean. This latest New Naturalist volume provides a natural history of this environment and its biological communities.

The margins of the continents, especially broad in the North Atlantic region, are drowned by shallow seas, creating a sea floor environment which is part of the wider and deepening benthic realm – the ecological region at the lowest level of a body of water such as an ocean or a lake, including the sediment surface and some sub-surface layers. These ‘shelf seas’ are the most biologically rich and productive areas of the world ocean. In his latest New Naturalist volume, Peter Hayward addresses some aspects of the natural history of the benthic environment of the shelf seas of northwest Europe and its biological communities.

Away from rocky coastlines the seafloor is rather flat, often muddy, beneath turbid water with low or no visibility. Benthic faunas mostly live within the sediment of the seafloor, or are sparsely and patchily distributed upon it, and if at all motile are likely to withdraw into burrows or move quickly away on disturbance. Yet, dredges and grabs reveal an often extraordinary diversity and density of animals, suggestive of complex interacting communities. This is not a textbook of marine benthic ecology, nor is it a comprehensive review of the benthic communities of the northwest European shelf seas. Rather, it describes the natural history of some benthic habitats and associations characteristic of our region.

De Bataafse hut is een historisch cultuurwetenschappelijk boek van Auke van der Woud dat onderzoekt hoe eenvoudige traditionele hutten en hun beeldvorming een rol gingen spelen in de Nederlandse cultuur tussen circa 1750 en 1850. De structuur van het boek is thematisch en analytisch: het wisselt logisch opgebouwde hoofdstukken af die elk een ander facet bekijken van hoe deze hut-symboliek is ontstaan en verspreid, in plaats van een doorlopend narratief.

Beschrijft onder andere haar onderduik in WOII

Anne Frank (13, ik-figuur) is een joods meisje, dat in de Tweede Wereldoorlog met o.a. haar ouders en zusje ondergedoken is in een achterhuis op een Amsterdamse gracht. Ze schrijft in haar dagboek over alles wat haar van haar bezighoudt. Vanaf ca. 12 jaar.

Voor een Helmondse schoenmakersdochter, een Indische voormalige oorlogstolk en hun zoon bestaat er geen heden. Alleen een belast verleden. De zoon achtervolgt zijn ouders met vragen over de oorlog in Nederlands-Indië die doorwoedt in het gezin. Hun verhalen zijn spannend, hilarisch, gruwelijk, niet te bevatten, rauw, maar niet zonder humor...

The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave.

And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

Analyse van de kredietcrisis en de economische recessie, met een visie op de gewenste toekomstige economische ontwikkeling.

Aan de vooravond van de internetbubbel start bol, onder de vleugels van moedergigant Bertelsmann met de onbescheiden ambitie om de grootste online boekhandel ter wereld te worden. Nog geen drie jaar later staat het bedrijf in de uitverkoop. Bol Nederland vindt op het nippertje drie investeerders. Het wordt zelfstandig en groeit uit tot het grootste online winkelbedrijf van Nederland en België. Bol is daarmee een Nederlands succesverhaal. Michel Schaeffer, vanaf de beginjaren deel van het team, geeft een zeldzaam kijkje achter de schermen van het bedrijf in een tijdperk waarin de wereld de stap naar online maakte. Een fascinerend verhaal over het opnieuw uitvinden van winkelen, groot durven denken, de drang naar continue vernieuwing, de kracht van samenwerken, de unieke cultuur en omgaan met teleurstellingen en succes. Hoe is het Bol gelukt om succesvol te worden en hoe slaagt het erin om succesvol te blijven?

Summary: Edward Hopper (1882-1967) is de bekendste kunstenaar van de Amerikaanseschilderkunst uit het begin van de twintigste eeuw. Zijn oeuvre kenmerkt zich door een verraderlijke kalmte in lege straten en landschappen, en door eenzame figuren in een stedelijke omgeving. Zijn schilderijen hebben hun stempel gedrukt op ons beeld van Amerika. In de tentoonstelling en publicatie wordt Hopper voor het eerst in de context van zijn tijd getoond. Naast topstukken van Hopper zijn ruim tachtig meesterwerken uit de collectie van het Whitney Museum of American Art in New York geselecteerd van kunstenaars als Georgia O'Keeffe, Charles Sheeler, Man Ray, Lyonel Feininger, Grant Wood en Alfred Stieglitz. Exhibition: 26.09.2009 - 17.01.2010, Kunsthal Rotterdam.

SAMENVATTING: "Dit boek laat u kennismaken met allerlei manieren waarop we oneindigheid kunnen benaderen. Aan de hand van onderwerpen als ruimte, religie, energie, spiralen en geometrie krijgt u inzicht in de vele geheimen en raadsels die met het begrip 'oneindigheid' verbonden zijn."

Ervaringen en overpeinzingen van een beheerder van een Amsterdamse begraafplaats.

Een genadeloze analyse van de collectieve sector en aanbevelingen voor een krachtig herstelprogramma

Beschrijving van de activiteiten van de Engelse East India Company in het Verre Oosten, met veel aandacht voor haar factorij op het Japanse eiland Hirado waar de hulp van de in Japan wonende Engelsman William Adams buitengewoon nuttig was.

"Herinneringen. Hoe ouder je wordt, hoe meer je er hebt. En al die flarden probeer je in een zinvol verband te plaatsen om een kloppend verhaal van je leven te maken. Het schrijven van memoires is daardoor misschien wel de meest leugenachtige literatuursoort. Als gewaarschuwd man kies ik daarom in 'Met een scheef oog' niet voor memoires, maar voor het schetsen van tijdsbeelden aan de hand van mijzelf. Vanaf mijn geboorte in de oorlog tot aan het begin van de jaren zeventig. Van "Eet je bord leeg, weet je wel hoe het in de oorlog was?" tot aan de ontketende revoluties van de jaren zestig en zeventig door die verwende oorlogskinderen en babyboomers. Van de wederopbouw, het opgroeien in een sterk verzuilde samenleving, de woningnood, de rangen en standen in het Gooi tot de overstap naar het studentenleven in Amsterdam, het leven met jazz, tabak, seks en de revolutie aan de universiteit. En de schrijver was er in elk geval bij."--

A science book for the general reader that is informative enough to be a popular textbook and yet well-written enough to appeal to general readers. “Hazen and Trefil [are] unpretentious—good, down-to-earth, we-can-explain-anything science teachers, the kind you wish you had but never did.”—The New York Times Book Review

Knowledge of the basic ideas and principles of science is fundamental to cultural literacy. But most books on science are often too obscure or too specialized to do the general reader much good.

Science Matters is a rare exception—a science book that is informative enough for introductory courses in high school and college, and yet lucid enough for readers uncomfortable with scientific jargon and complicated mathematics. And now, revised and expanded, it is up-to-date, so that readers can enjoy Hazen and Trefil's refreshingly accessible explanations of the most recent developments in science, from particle physics to biotechnology.

'The most important book of the Trump era' The Economist

How does a democracy die?
What can we do to save our own?
What lessons does history teach us?

In the 21st century democracy is threatened like never before.

Drawing insightful lessons from across history - from Pinochet's murderous Chilean regime to Erdogan's quiet dismantling in Turkey - Levitsky and Ziblatt explain why democracies fail, how leaders like Trump subvert them today and what each of us can do to protect our democratic rights.

'This book looks to history to provide a guide for defending democratic norms when they are under threat, and finds that it is possible to fight back.' David Runciman

'A useful primer on the importance of norms, institutional restraints and civic participation in maintaining a democracy - and how quickly those things can erode when we're not paying attention' President Barack Obama

'A must-read' Andrew Marr, Sunday Times

'The greatest of the many merits of Levitsky and Ziblatt's How Democracies Die is their rejection of western exceptionalism. They tell inspiring stories I had not heard before' Nick Cohen, Observer

'Provocative, timely. One of my favourite reads this year' Elif Shafak

'Anyone who is concerned about the future of democracy should read this brisk, accessible book. Anyone who is not concerned should definitely read it' Daron Acemoglu, co-author of Why Nations Fail

Twenty years ago, Ayatollah Khomeini called for the assassination of Salman Rushdie--and writers around the world instinctively rallied to Rushdie's defense. Today, according to writer Paul Berman, "Rushdie has metastasized into an entire social class"--an ever-growing group of sharp-tongued critics of Islamist extremism, especially critics from Muslim backgrounds, who survive only because of pseudonyms and police protection. And yet, instead of being applauded, the Rushdies of today (people like Ayan Hirsi Ali and Ibn Warraq) often find themselves dismissed as "strident" or as no better than fundamentalist themselves, and contrasted unfavorably with representatives of the Islamist movement who falsely claim to be "moderates."

How did this happen? In THE FLIGHT OF THE INTELLECTUALS, Berman--"one of America's leading public intellectuals" (Foreign Affairs)--conducts a searing examination into the intellectual atmosphere of the moment and shows how some of the West's best thinkers and journalists have fumbled badly in their efforts to grapple with Islamist ideas and violence.

Berman's investigation of the history and nature of the Islamist movement includes some surprising revelations. In examining Hassan al-Banna, the founder of the Muslim Brotherhood, he shows the rise of an immense and often violent worldview, elements of which survives today in the brigades of al-Qaeda and Hamas. Berman also unearths the shocking story of al-Banna's associate, the Grand Mufti of Jerusalem, who collaborated personally with Adolf Hitler to incite Arab support of the Nazis' North African campaign. Echoes of the Grand Mufti's Nazified Islam can be heard among the followers of al-Banna even today.

In a gripping and stylish narrative Berman also shows the legacy of these political traditions, most importantly by focusing on a single philosopher, who happens to be Hassan al-Banna's grandson, Oxford professor Tariq Ramadan--a figure widely celebrated in the West as a "moderate" despite his troubling ties to the Islamist movement. Looking closely into what Ramadan has actually written and said, Berman contrasts the reality of Ramadan with his image in the press.

In doing so, THE FLIGHT OF THE INTELLECTUALS sheds light on a number of modern issues--on the massively reinvigorated anti-Semitism of our own time, on a newly fashionable turn against women's rights, and on the difficulties we have in discussing terrorism--and presents a stunning commentary about the modern media's peculiar inability to detect and analyze some of the most dangerous ideas in contemporary society.

From Dubai to Amsterdam, Memphis to South Korea, a new phenomenon is reshaping the way we live and transforming the way we do business: the aerotropolis. A combination of giant airport, planned city, shipping facility and business hub, the aerotropolis will be at the heart of the next phase of globalization. Drawing on a decade's worth of cutting-edge research, John Kasarda and Greg Lindsay offer a visionary look at how the metropolis of the future will bring us together - and how, in our globalized, 'flat' world, connecting people and goods is still as important as digital communication. Airport cities will change the face of our physical world and the nature of global enterprise. Aerotropolis shows us how to make the most of this unparalleled opportunity.

For centuries, duelling played an integral role in the preservation of the aristocratic order in Europe, defying attempts by both church and state to ban the practice. Moreover, the romance and drama of the duel has made it an enduring fixture in films, literature, and the theatre.

In The Duel in European History, renowned historian Victor Kiernan writes with his characteristic wit and insight of duelling's evolution from its medieval origins – when it was regarded as a badge of rank - to the early twentieth century, by which time it was seen as an irrational anachronism. In doing so, he shows how the duelling tradition was something unique to Europe and its colonies, and, in its contribution to the development of the officer corps, played a key part in shaping European military power.

Drawing on a vast range of historical and cultural sources, this is the definitive account of a violent ritual that continues to fascinate even today.

Americans have always been a hard-drinking people, but from 1920 to 1933 the country went dry. After decades of pressure from rural Protestants such as the hatchet-wielding Carry A. Nation and organizations such as the Women's Christian Temperance Union and Anti-Saloon League, the states ratified the Eighteenth Amendment to the Constitution. Bolstered by the Volstead Act, this amendment made Prohibition law: alcohol could no longer be produced, imported, transported, or sold. This bizarre episode is often humorously recalled, frequently satirized, and usually condemned. The more interesting questions, however, are how and why Prohibition came about, how Prohibition worked (and failed to work), and how Prohibition gave way to strict governmental regulation of alcohol. This book answers these questions, presenting a brief and elegant overview of the Prohibition era and its legacy.

During the 1920s alcohol prices rose, quality declined, and consumption dropped. The black market thrived, filling the pockets of mobsters and bootleggers. Since beer was too bulky to hide and largely disappeared, drinkers sipped cocktails made with moonshine or poor-grade imported liquor. The all-male saloon gave way to the speakeasy, where together men and women drank, smoked, and danced to jazz.

After the onset of the Great Depression, support for Prohibition collapsed because of the rise in gangster violence and the need for revenue at local, state, and federal levels. As public opinion turned, Franklin Delano Roosevelt promised to repeal Prohibition in 1932. The legalization of beer came in April 1933, followed by the Twenty-first Amendment's repeal of the Eighteenth that December. State alcohol control boards soon adopted strong regulations, and their legacies continue to influence American drinking habits. Soon after, Bill Wilson and Dr. Bob Smith founded Alcoholics Anonymous (AA). The alcohol problem had shifted from being a moral issue during the nineteenth century to a social, cultural, and political one during the campaign for Prohibition, and finally, to a therapeutic one involving individuals. As drinking returned to pre-Prohibition levels, a Neo-Prohibition emerged, led by groups such as Mothers against Drunk Driving, and ultimately resulted in a higher legal drinking age and other legislative measures.

With his unparalleled expertise regarding American drinking patterns, W. J. Rorabaugh provides an accessible synthesis of one of the most important topics in US history, a topic that remains relevant today amidst rising concerns over binge-drinking and alcohol culture on college campuses.

In the vein of Jonah Goldberg’s Liberal Fascism comes a scathing and reasoned critique of the politics of liberal compassion—and why liberals’ lack of interest in the results of their policies renders them unfit to govern.

For decades, conservatives have chafed at being called “heartless” and “uncaring” by liberals, without ever challenging this charge. Instead, they’ve spent their time trying to prove that they really do care. Now, political scientist William Voegeli turns the tables on this argument, making the case that “compassion” is neither the essence of personal virtue, nor the ultimate purpose of government.

Liberals have built a remarkable edifice of government programs that are justified by appeals to compassion. Yet as Voegeli shows, they are indifferent whether these programs fail or succeed. Instead, when the problems these programs are created to solve fail to disappear, they propose to fix underperforming programs with more money, or more programs. Meanwhile, conservatives who challenge their effectiveness on practical grounds are met with charges of being “heartless right wingers.”

Voegeli explores various programs that have become battlefields between Conservatives fighting for more efficiency, and Liberals fighting for the status quo. Along the way, he explains the philosophical underpinnings of the Liberal project that created and reinforce this misapplied ideal of compassion, and why, without a major change, Liberals must be considered unfit to govern.

Hailed by national leaders as politically diverse as former Vice President Al Gore and former House Speaker Newt Gingrich, Generations has been heralded by reviewers as a brilliant, if somewhat unsettling, reassessment of where America is heading.

William Strauss and Neil Howe posit the history of America as a succession of generational biographies, beginning in 1584 and encompassing every-one through the children of today. Their bold theory is that each generation belongs to one of four types, and that these types repeat sequentially in a fixed pattern. The vision of Generations allows us to plot a recurring cycle in American history -- a cycle of spiritual awakenings and secular crises -- from the founding colonists through the present day and well into this millenium.

Generations is at once a refreshing historical narrative and a thrilling intuitive leap that reorders not only our history books but also our expectations for the twenty-first century.