No other narrative account of Abraham Lincoln's life has inspired such widespread acclaim as Lord Charnwood's Abraham Lincoln: a biography. Many contemporary historians consider this thorough and superbly crafted work the quintessential biography of one of America's greatest presidents. Written by a native of England and originally published in 1916, the biography is a rare blend of beautiful prose and profound historical insight. Charnwood's study of Lincoln's statemanship introduced generations of Americans to the life and politics of Lincoln, and the author's observations are so comprehensive and well supported that any serious study of Lincoln must respond to his conclusions. This is essential reading for anyone interested in Abraham Lincoln, the Civil War, or American political history.

The Populist Vision is about how Americans responded to wrenching changes in the national and global economy. In the late nineteenth century, the telegraph and steam power made America and the world a much smaller place. The new technologies also made possible large-scale bureaucratic organization and centralization. Corporations grew exponentially and the rich amassed great fortunes. Those on the short end of these changes responded in the Populist revolt, one of the most effective challenges to corporate power in American history. But what did Populism represent? Half a century ago, scholars such as Richard Hofstadter portrayed the Populist movement as an irrational response of backward-looking farmers to the challenges of modernity. Since then, historians have largely restored Populism's good name. But in so doing, they have sustained a romantic notion of Populism as the resistance movement of tradition-based and pre-modern communities to a modern and commercial society, or even a counterforce to the Enlightenment ideals of innovation and progress. Postel's work marks a departure. He argues that the Populists understood themselves as, and were in fact, modern people. Farmer Populists strove to use the new innovations for their own ends. They sought scientific and technical knowledge, formed highly centralized organizations, launched large-scale cooperative businesses, and pressed for state-centered reforms on the model of the nation's most elaborate bureaucracy--the Postal Service. Hundreds of thousands of Populist farm women sought education, employment in schools and offices, and a more modern life. Miners, railroad workers, and other labor Populists joined with farmers to give impetus to the regulatory state. Activists from Chicago, San Francisco, and other urban centers lent the movement an especially modern tone. Modernity was also menacing, as the ethos of racial progress influenced white Populists in their pursuit of racial segregation and Chinese exclusion. The Populist Vision offers a broad reassessment. Working extensively with primary sources, it looks at Populism as a national movement, taking into account both the leaders and the led. It focuses on farmers but also wage-earners and bohemian urbanites. It examines topics from technology, business, and women's rights, to government, race, and religion. At the dawn of the twenty-first century, business and political leaders are claiming that critics of their new structures of corporate control represent anti-modern attitudes towards the new realities of globalization. The Populist experience puts into question such claims about who is modern and who is not. And it suggests that modern society is not a given but is shaped by men and women who pursue alternative visions of what the modern world should be.

In the first academic book to describe the life of poor Jews in Amsterdam between the two world wars, We Lived with Dignity captures in poignant detail the unique qualities of that city's Jewish ghetto before Hitler's reign of terror. Interviews with more than ninety survivors who shared memories of living conditions in the ghetto and their feelings about the tremendous changes they lived through create an oral history that has not previously been recorded in formal descriptions and archives. The research in this book raises questions and challenges assumptions about what the past was like and how it can be portrayed. Selma Leydesdorff suggests that oral history may not always be an accurate measure. Because memories about the period before the war are veiled by the massive slaughter of the Jews by the Germans, survivors often idealize their circumstances, burying under layers of romantic nostalgia the reality of hunger, poor housing, poverty and filth, unemployment, and a lack of social stability - precisely of the sort depicted in present-day literature about the old Jewish quarter. She found that the processing of practically every interview, every "fact", involved a struggle between reality, distortion, and myth. We Lived with Dignity contains more than people's stories. Leydesdorff confirms events, exposes the truth, and explains distortions by reference to other material. To bring order into the world she hears about, she frames her interviews with critical information including a summary of the historical, economic, and demographic relationships within which the Amsterdam Jewish proletariat lived; an explanation of the changes in living conditions and the conscious attempts thatwere made to help the Jews - a cultural and religious minority - adapt to what was regarded as "modern" or "progressive"; and a description of the culture of poverty, the strategies for survival that characterized it, and the apparent impossibility of escaping it. Of the 140,000 Jews living in the Netherlands in 1941, eighty percent died during World War II. Although there are no exact figures, it is generally assumed that the slaughter was worst among the proletariat. The devastation can be seen from the fact that there is no Jewish proletarian culture left at all. In this sense, Leydesdorff's study of the history of the Jewish proletariat of Amsterdam is also a study of the consequences of World War II, and of the nature of the destruction brought about by the Holocaust.

Gretha Houttuin was 13 toen haar vader zijn 1e zelfmoordpoging deed. Er zouden er nog vele volgen. Tien jaar lang ging het gezinsleven onder zijn ziekte gebukt. Gretha's moeder verborg haar angst achter een grote mond. Ze steunde op Gretha en betrok het dertienjarige meisje bij haar sores alsof ze een volwassene was. De enige bij wie Gretha haar problemen even kon vergeten, was Ben. Niet alleen haar vader, ook 2 ooms en 1 van haar tweelingbroertjes pleegden zelfmoord. Zat het in de familie? Gretha Houttuins verhaal, dat zich afspeelt in Leeuwarden in een tijd dat psychiatrische aandoeningen nog taboe zijn, inspireerde Nynke Feenstra (1961) tot het schrijven van deze roman

Verslag van de enige overlevende van een joods/Italiaans gezin dat in de Tweede Wereldoorlog in Auschwitz werd vermoord.

Overzicht van leven en werk van de Rotterdamse stadsarchitect.

artikelen, replieken, interviews

Verslag van de enige overlevende van een joods/Italiaans gezin dat in de Tweede Wereldoorlog in Auschwitz werd vermoord.

van 1 jan 1930 tem 31 maart 1931

An original study of exile, told through the biography of Austrian writer Stefan Zweig, the man who inspired The Grand Budapest Hotel
 
By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself.
 
The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.

"Warning- This Book Will Not Save Your Life oomsday. Judgement Day. Day of Reckoning. Apocalyspe... As the man with the sandwich board says, 'The end of the world is nigh!' For as long as mankind has walked this earth, we have lived under the shadow of extinction. Whether it be from an Act of God, a natural disaster, or as the result of a man made disaster, never before has the threat of annihilation been more pressing than right now, at the beginning of the 21st Century. A IS FOR ARMAGEDDON is a brilliantly funny, thoroughly factual and stunningly illustrated guide to every feasible disaster scenario - from plague, drought and famine, to animal flatulence, obesity and World War III, from economic collapse and terrorism, to ozone depletion and chemical sink - accompanied by a critical time line for when we might expect to die - now, soon, later, or too late it s already started. A veritable panoply of impending doom, this catalogue of disasters will inform and delight in equal measure. Just don't read it too close to bedtime!

Writing as "Z" in the world-famous article "To the Stalin Mausoleum", Malia predicted the inevitable collapse of the Soviet Union. In this brilliant narrative, he evokes both the tragedy and desperate delusion that characterized the 74-year Soviet experiment with socialism to reveal why that system held such appeal for the Russians and why they refused to let go for so long. Previously announced.

In the tradition of John Reed's classic Ten Days That Shook the World, this bestselling account of the collapse of the Soviet Union combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. "A moving illumination . . . Remnick is the witness for us all.

Juliana (1909-2004) was een door velen geliefde vorstin; niettemin weten we weinig van haar persoonlijk leven. Na een afgeschermde jeugd in de benauwenis van het hof en na haar opbloei tijdens haar verblijf in Canada gedurende de Tweede Wereldoorlog, waarbij ze zich veel actiever inzette voor de geallieerde zaak dan veelal wordt gedacht, begon Juliana in 1948 vol ambitie aan haar 'zware maar mooie' taak. De competente prinses werd evenwel algauw geconfronteerd met grote persoonlijke en politieke teleurstellingen en haar regeringsperiode werd getekend door een reeks van crises. Juliana's blijvende liefde voor prins Bernhard, die in 1936 als haar bevrijder uit de hemel was gevallen, werd haar achilleshiel. Hij bracht haar bijna ten val. Juliana was grillig en gretig; gelovig en goedgelovig. Gewoon was ze in elk geval niet. Ze moest functioneren in een wereld van zich vaak superieur voelende mannen. En zoals ze zich tegen allerlei andere conventies verzette, verzette Juliana zich van jongs af aan tegen de achterstelling van vrouwen. Niet eerder verscheen een zo uitgebreide, op wetenschappelijk onderzoek gebaseerde biografie van de vorstin die velen beschouwen als 'onze' koningin. Withuis kon haar werk baseren op brieven en ander nooit eerder gepubliceerd privémateriaal. Daarmee schreef ze niet alleen een intieme en indringende levensgeschiedenis, maar ook een portret van een veelbewogen eeuw.

To be modern may mean many different things, but for nineteenth-century Europeans 'modernity' suggested a new form of life in which bourgeois activities, people, attitudes and values all played key roles. Jerrold Seigel's panoramic new history offers a magisterial and highly original account of the ties between modernity and bourgeois life, arguing that they can be best understood not in terms of the rise and fall of social classes, but as features of their common participation in expanding and thickening networks that linked together distant energies and resources across economic, political and cultural life. Exploring the different configurations of these networks in England, France and Germany, he shows how their patterns gave rise to distinctive forms of modernity in each country and shaped the rhythm and nature of change across spheres as diverse as politics, money and finance, gender relations, morality, and literary, artistic and musical life.

Autobiografie van de Russische schaker (1963- ).

A controversial and devastatingly honest depiction of the demise of Europe.

The Strange Death of Europe is the internationally bestselling account of a continent and culture caught in the act of suicide. Douglas Murray takes a step back and explores the deeper issues behind the continent's possible demise, from an atmosphere of mass terror attacks and a global refugee crisis to the steady erosion of our freedoms. He addresses the disappointing failure of multiculturalism, Angela Merkel's U-turn on migration, and the Western fixation on guilt. Murray travels to Berlin, Paris, Scandinavia, and Greece to uncover the malaise at the very heart of the European culture, and to hear the stories of those who have arrived in Europe from far away.

Declining birth rates, mass immigration, and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive alteration as a society and an eventual end. This sharp and incisive book ends up with two visions for a new Europe--one hopeful, one pessimistic--which paint a picture of Europe in crisis and offer a choice as to what, if anything, we can do next. But perhaps Spengler was right: "civilizations like humans are born, briefly flourish, decay, and die."

While acknowledging France at the eve of the Revolution as the root of the modern world, Porter also makes a case for considering Britain's importance in catapulting the world into modernity.

Correspondentie tussen de beide Nederlandse schrijvers uit de periode 1947-1959.

Verzameling verhalen van tijdgenoten over gedenkwaardige gebeurtenissen in de 20e eeuw in Nederland.