EVER SINCE HE DISGUISED HIMSELF AS A SNAKE AND TEMPTED EVE WITH AN APPLE, THE DEVIL HAS BEEN EVERYONE'S FAVORITE VILLIAN. LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY ""EVIL"" BOOK.

This volume challenges many stereotypes about Victorian women and their families and offers insights into middle-class life in Britain from 1840 through the early years of the 20th century. Eleanor Gordon and Gwyneth Nair examine women's relationships, their marriages, the ways they earned and spent their money, and their social, spiritual, and civic lives. What emerges from this fascinating research is a revised - and far richer - view of middle class women's experiences in the Victorian era than has been understood before. family as a private enclave in which women's roles related only to service and dependency are narrow and inaccurate. In fact, as arbiters of taste, managers of display, and consumers of culture, women were central to the creation of middle-class identity and culture. Gordon and Nair explore men's and women's personal diaries, correspondence, inventories, wills, census reports, and other documents from Victorian Glasgow, the second most important British city of the period. Their findings illuminate the everyday lives of single and widowed as well as married women, and they reveal for the first time the complexity of roles that Victorian women of the middle classes assumed in domestic, economic, and public spheres.

Follows Sand's life from her birth in 1804 through her work as a minister of Propaganda during the Revolution of 1848, her relationship with Chopin, and her work in the radical politics of her day.

Jacquelientje Plof is een pseudoniem van Ina Brokmeier-van der Beugel.

The female pilot who has won more than 125 air races and has been inducted into the Aviation Hall of Fame describes her childhood dreams of flight, her struggles with sexism, her career as a trainer of flight students, and more.

Architects of Our Fortunes is the first publication of the Civil War letters and journals of Eliza A. W. Otis and her husband, Harrison Gray Otis, who went on to become the publishers of the Los Angeles Times. These intimate letters and journal entries reveal an earlier and simpler chapter in their lives, when he was a printer who joined the Union army and she was a poet and teacher who traveled through the Upper South to stay close to her soldier husband. Their writings reflect their love for each other, the fears aroused by the war, and the shaping of their ambitions and moral purpose by the forces of history in a tumultuous time. The book is divided into three parts. The first documents are letters written from Harrison to Eliza just after their marriage in 1859. Eliza's journal, which she kept from 1860 to 1863, forms the second, much longer, section. The journal draws a highly readable portrait of this young newlywed, whose thoughts and experiences tell us much about the women of her era. Her candid comments on the people around her are especially revealing of her own character and of Victorian sensibility. The final section, a brief Civil War diary written by Harrison in the field from 1862 to 1863, provides a common soldier's view of that great struggle. The three sets of documents shed light not only on the Otis family but also on the experience of ordinary Americans during the Civil War. They also suggest the widespread impact of the war on the development of the West. Harrison and Eliza Otis were but two of the thousands of soldiers and their families who resettled in California after the war to begin a new life. The experience and ideals expressed in the documents in this book were widely shared. The emergence of the Otises as major public leaders in Southern California and the success of the Los Angeles Times grew out of their struggle during the Civil War years and the values they forged as a consequence of that conflict.

A groundbreaking examination of the historical myth of motherhood looks at how different cultures have viewed motherhood, showing how our current idea of the "good mother" reflects a reaction to burgeoning women's rights. 25,000 first printing. National ad/promo. Tour.

In recent decades, a new academic field has emerged in the United States and across Europe that links two previously unrelated disciplines: art and economics. Editors Giep Hagoort and Rene Kooyman have collected in this volume several articles from their colleagues in the Faculty of Art and Economics at the Utrecht School of the Arts that set out the parameters of the field and explain their current research and the impact that these innovations will have on the future of this relatively young area of inquiry. Creative Industries will be essential reading for anyone interested in joining academic dialogues concerned with creative and cultural entrepreneurship, cultural management, creative industries, and creative processes.

Beschrijving van het leven van Nederlands eerste vrouwelijke minister (1912-1986) en de totstandkoming van de Algemene Bijstandswet van 1965.

The history of the militant suffragettes.

Overzicht met 311 z-w foto's en 13 kleurenill.

Catherine Marshall was a vital figure in the women's suffrage movement in Britain before the First World War. Using her remarkable political skills on behalf of the major non-militant organization, the National Union of Women's Suffrage Societies (NUWSS), she built close connections with major suffragist politicians, leading some, in all three parties, to consider adopting a measure of women's enfranchisement as a party plank.

The biography of Mildred Harnack, the only American woman to have been executed for treason against Germany during World War II. With her husband, Mildred was a founding member of the Red Orchestra, an intelligence group that transmitted messages of resistance with the use of contraband radios.