Presents a collection of prayers, psalms, and spiritual poetry accompanied by thematically related works of art from the collections of the Metropolitan Museum of Art.

This thought-provoking book offers alternative views of the rules and assumed truths artists think they should follow.

Catalogus verschenen bij de tentoonstelling Beelden rond Groeneveld #8, kasteel Groeneveld te Baarn 1991, onder auspiciën van de Nederlandse Kring van Beeldhouwers.

Major reference analyses the evolution of contemporary art in Chile from 1973 to 2007. The fine edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, María Berríos, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana Válads.

Susanne Kriemann's ONE DAY is the third book in a series of portraits, in book form, of the City of Rotterdam, that Witte de With, Center for Contemporary Art has been producing in collaboration with artists who are particularly concerned with photographic medium. Kriemann is an artist whose work explores how images circulate and how displacement is represented in photography. For this project Kriemann collected a long list of books about Rotterdam, all of which have been published since its devastating bombing by the Luftwaffe in May 1940. The second largest city in The Netherlands and arguably the most culturally diverse, Rotterdam is unique in that its rebuilding did not focus on restoring the pre-war urban fabric, but instead became a multi-faceted experiment in architecture and urban planning. From the books she collected, which document Rotterdam's evolution, Kriemann selected 115 images and imposed a structure that is at once drastic and mundane. The flow of images in her book condense the experience of time by subtly tracing the course of one day, from dawn until dusk. Includes a discussion between Susanne Kriemann and critic/curator Christopher Eamon.