Engelstalig

Old Europe's new crisis.

Europe, the charming continent of windmills and gondolas. But lately, Europe has become the continent of endless strikes and demonstrations, bombs on the trains and subways, radical Islamic cells in every city, and ghettos so hopeless and violent even the police won't enter them. In Spain, a terrorist attack prompts instant capitulation to the terrorists' demands. In France, the suburbs go up in flames every night. In Holland, politicians and artists are murdered for speaking frankly about Islamic immigration.
This isn't the Europe we thought we knew. What's going on over there?
Traveling overland from London to Istanbul, journalist Claire Berlinski shows why the Continent has lately appeared so bewildering--and often so thoroughly obnoxious--to Americans. Speaking to Muslim immigrants, German rock stars, French cops, and Italian women who have better things to do than have children, she finds that Europe is still, despite everything, in the grip of the same old ancient demons. Anyone who knows the history can sense it: There is something ugly--and familiar--in the air.
But something new is happening as well. Indeed, Europe now confronts--and seems unable to cope with--an entirely new set of troubles. Tracing the ancient conflicts and newly erupting crises, "Menace in Europe" reveals:
- Why Islamic radicalism and terrorist indoctrination flourish as Europe fails to assimilate millions of Muslim immigrants
- How plummeting birthrates hurtle Europe toward economic and cultural catastrophe
- Why hatred of America has become ubiquitous--on Europe's streets, in its books, newspapers, and music, and at the highest levels of government
-How long-repressed destructive instincts are suddenly reemerging
- How the death of religious faith has created a hopeless, morally unmoored Europe that clings to anti-Americanism, anti-Semitism, and other dangerous ideologies
- Why the notion of a united Europe is a fantasy and what that means for the United States
In the end, these are not separate issues. Berlinski provocatively demonstrates that Europe's political and cultural crisis mirrors its profound moral and spiritual crisis.
But this is not just Europe's problem." Menace in Europe" makes clear that the spiritual void at the heart of Europe is ultimately our problem too. And America will pay a terrible price if we continue to ignore it.

Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer's unfinished epic poem is also one of the most beloved works in the English language-and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer's work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel's magnificent new unabridged translation brings Chaucer's poetry back to life, ensuring that none of the original's wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction that discusses Chaucer's work as well as his life and times. An illustrated retelling of Geoffrey Chaucer's famous work in which a group of pilgrims in fourteenth-century England tell each other stories as they travel on a pilgrimage to the cathedral at Canterbury.

A SUNDAY TIMES BESTSELLER, January 2022
A TIMES HISTORICAL FICTION BOOK OF THE YEAR
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR
A BBC HISTORY MAG BOOK OF THE YEAR
A DAILY EXPRESS BOOK OF THE YEAR

Soaked in mist and old magic, Storyland is a new illustrated mythology of Britain, set in its wildest landscapes.

It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans.

These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them. Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall in a vivid, beautiful tale of our land steeped in myth.

In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

PRAISE FOR STORYLAND
'Expressive, bold and quite beautiful' The Lady
'[a] delight of a book' Antonia Senior, The Times
'ravishingly lovely' The Times Ireland
'[a] lively retelling of British myths' Apollo Magazine

The extraordinary new novel from the acclaimed author of "Bad Behavior" and "Two Girls, Fat and Thin, " "Veronica" is about flesh and spirit, vanity, mortality, and mortal affection. Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.
As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica--an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal "office kit" and a plaque that reads "Still Anal After All These Years." Improbably, the two women become friends. Their friendship will survive not only Alison's reentry into the seductive nocturnal realm of fashion, but also Veronica's terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time.
Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul's hurtling passage through the world. A novel unlike any other, "Veronica" is a tour de force about the fragility and mystery of human relationships, the failure of love, and love's abiding power. It shines on every page with depth of feeling and formal beauty.

The Taiping rebellion in mid-nineteenth century China, led by Hong Xiuquan, was one of the strangest and most violent events in human history, costing at least twenty million lives. From his capital in Nanjing, Hong ruled over his 'Heavenly Kingdom' for eleven years, establishing absolute power over a vast area of northern China. Historian Spence recalls some of the historical epics of the nineteenth century here, adding insight into the minds of the participants, Hong himself in particular, in a book that is both intimately detailed and epic in scope--From publisher description.

The report that Brodeck is writing into the lynching of an artist, an outsider, a flamboyant Other figure who has deeply disturbed the fragile equilibrium of the town he briefly settled in, becomes a report into the catastrophe of his own life. Brodeck, it seems, himself also an outsider, has lately returned from a concentration camp. In the course of his investigation into the death of the artist, he uncovers the truth about his distant origins, about his having been rounded up when the Germans came to the town, and all that happened to his family when he was gone. This immensely powerful chronicle of a community's fear and loathing of what is strange, what is from the outside, has been hailed as one of the outstanding European novels of the last decade.

engengThe 18th-century landscape garden is the only art form to have originated wholly in Britain. This book tells the extraordinary story of the gang of eccentrics who created these gardens, a small group of politicians and poets, farmers and businessmen, and others whose obsession with their gardens changed the course of artistic history.

Eric Gill was the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving. He was a devoted family man and key figure in three Catholic art and craft communities: yet he also believed in complete sexual freedom. In her controversial, landmark biography, originally published in 1989, biographer Fiona MacCarthy delves into the complex, dark, and contradictory sides of the man and the artist for the first time and the result is his definitive portrait.

Born in 1728, French aristocrat Charles d'Eon de Beaumont had served his country as a diplomat, soldier, and spy for fifteen years when rumors that he was a woman began to circulate in the courts of Europe. D'Eon denied nothing and was finally compelled by Louis XVI to give up male attire and live as a woman, something d'Eon did without complaint for the next three decades. Although celebrated as one of the century's most remarkable women, d'Eon was revealed, after his death in 1810, to have been unambiguously male. Gary Kates's acclaimed biography of d'Eon recreates eighteenth-century European society in brilliant detail and offers a compelling portrait of an individual who challenged its conventions about gender and identity.

It would be impossible to overstate the influence of Geoffrey Chaucer’s The Canterbury Tales. A work with one metaphorical foot planted in the Florentine Renaissance literary tradition of Boccaccio’s Decameron and the other in works ranging from John Bunyan, Voltaire, and Mark Twain to the popular entertainments of our own time, The Canterbury Tales stands astride the cultures of Great Britain and America, and much of Europe, like a benign colossus.

Beyond its importance as a cultural touchstone and literary work of unvarnished genius, Chaucer’s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny–an undisputed classic that has held a special appeal for generations of readers. Chaucer has gathered twenty-nine of literature’s most indelible archetypes–from the exalted Knight to the bawdy Wife to the besotted Miller to the humble Plowman–in a vivid group portrait that captures the full spectrum of late-medieval English society and both informs and expands our discourse on the human condition.

Presented in these pages in a new unabridged translation by the esteemed poet, translator, and scholar Burton Raffel–whose translation of Beowulf has sold more than a million copies–this Modern Library edition also features an Introduction by the well-known and widely influential medievalist and author John Miles Foley that discusses Chaucer’s work as well as to his life and times.

Despite the brilliance of Geoffrey Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Burton Raffel’s magnificent new translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader.

Set in the African republic of Botswana--the locale of his acclaimed short story collection, Whites--Norman Rush's novel simultaneously explores the highest of intellectual high grounds and the most tortuous ravines of the erotic. tackles the geopolitics of poverty and the mystery of what men and women really want.

A new version of John Payne's Victorian translation, with an Introduction by Cormac O Cuilleanain.

1348. The Black Death is sweeping through Europe. In Florence, plague has carried off one hundred thousand people. In their Tuscan villas, seven young women and three young men tell tales to recreate the world they have lost, weaving a rich tapestry of comedy, tragedy, ribaldry and farce.

Boccaccio's Decameron recasts the storytelling heritage of the ancient and medieval worlds into perennial forms that inspired writers from Chaucer and Shakespeare down to our own day. Boccaccio makes the incredible believable, with detail so sharp we can look straight into the lives of people who lived six hundred years ago. His Decameron hovers between the fading glories of an aristocratic past - the Crusades, the Angevins, the courts of France, the legendary East - and the colourful squalor of contemporary life, where wives deceive husbands, friars and monks pursue fleshly ends, and natural instincts fight for satisfaction.

Here are love and jealousy, passion and pride - and a shrewd calculation of profit and loss which heralds the rise of a dynamic merchant class. These stories show us early capitalism during a moment of crisis and revelation.

The Greedy Hand is an illuminating examination of the culture of tax and a persuasive call for reform, written by one of the nation's leading policy makers, Amity Shlaes of" The Wall Street Journal.
The father of the modern American state was an obscure Macy's department store executive named Beardsley Ruml. During World War II, he devised the plan for withholding taxes from your paycheck, thereby laying in place a system that allows the hand of government to reach into your wallet and take what it wants.
Today, taxes make up more than a third of our economy, the highest level in history outside war. We live in the nation revolutionary father Thomas Paine foresaw when he wrote of "the Greedy Hand of government thrusting itself into every corner of industry." This book is a cultural examination of the way taxes influence our behavior, how they force us into an arbitrary system that punishes families and individual enterprise.
Amity Shlaes unveils the hidden perversities of our lifelong tax experience: how family tax breaks do little to help the family, and can even hurt it. She demonstrates how married women pay a special women's tax rate, higher than anybody else's. She shows how problems that engage and enrage us--Social Security problems, or the things we don't like about schools--are, at heart, tax problems. And she explains why the solutions Washington offers merely accelerate a vicious cycle.
Finally, Amity Shlaes shows us a way out of this madness, endorsing a number of common-sense reforms that will give all Americans a fairer and simpler tax system. Written with eloquent compassion for working Americans and their families, The Greedy Hand makesthe best case yet for rethinking our tax code. It is a book no tax-paying citizen can afford to ignore.

Nicholas Wades articles are a major reason why the science section has become the most popular, nationwide, in theNew York Times. In his groundbreaking Before the Dawn, Wade reveals humanitys origins as never beforea journey made possible only recently by genetic science, whose incredible findings have answered such questions as: What was the first human language like? How large were the first societies, and how warlike were they? When did our ancestors first leave Africa, and by what route did they leave? By eloquently solving these and numerous other mysteries, Wade offers nothing less than a uniquely complete retelling of a story that began 500 centuries ago.

"An extraordinary, powerful fable--a marvel."--Alberto Manguel

"Sj�n writes like a man under a spell, filled with enchantment and magic and great wit. He is a rogue of the first order."--Keith Donohue

The year is 1949 and Valdimar Haraldsson, an eccentric Icelander with elevated ideas about the influence of fish consumption on Nordic civilization, has had the singular good fortune to be invited to join a Danish merchant ship on its way to the Black Sea.

Among the crew is the mythical hero Caeneus, disguised as the second mate. Every evening after dinner he entrances his fellow travelers with the tale of how he sailed with the fabled vessel, the Argo, on the Argonauts' quest to retrieve the Golden Fleece.

Sj�n is a celebrated poet, novelist, and songwriter. His novels have been translated into twenty-five languages, and include From the Mouth of the Whale and The Blue Fox (both Telegram Books). In 2005 Sj�n won the Nordic Council Literary Prize, the equivalent of the Man Booker Prize, for The Blue Fox and Best Icelandic Novel for The Whispering Muse. Sj�n has written lyrics for Bj�rk, including for her most recent musical project, Biophilia. He lives in Reykjavik, Iceland.

Victoria Cribb lived in Iceland for many years. She now lives in England, where she is completing a PhD in Old Icelandic literature at the University of Cambridge. Her translations include three novels in collaboration with Olaf Olafsson.

Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre tranger, The History of Love explores the lasting power of the written word and the lasting power of love. Published as a Penguin Essential for the first time.

'When I was born my mother named me after every girl in a book my father gave her called The History of Love. . . '

Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.
Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived- crossing oceans and generations, and changing lives. . .
'Wonderfully affecting...brilliant, touching and remarkably poised' Sunday Telegraph
'A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?' Independent on Sunday
'Devastating...one of the most passionate vindications of the written word in recent fiction. It takes one's breath away' Spectator

A collection of parables and teaching stories from the martial arts traditions of Japan and China that emphasizes their spiritual foundation.

• The teaching stories in this book are based on the lives of martial arts masters and are meant to inspire questions and insights for the student.

• Written for martial artists and anyone interested in Eastern religions such as Buddhism, Zen, and Taoism.

True martial arts should never be confused with simple combat techniques. Rather, martial arts are a way that an individual, after a long and difficult apprenticeship, can gain a profound understanding of the true nature of reality and one's place in it. Over time the apprentice discovers the laws governing the subtle forces of life and realizes that their mastery is only possible after one has mastered oneself. "He who has mastered the Art doesn't use his sword: he compels his adversary to kill himself." This quote from renowned sword master Tajima no Kami perfectly expresses the paradoxical nature of martial arts teachings in China and Japan. These teaching stories are not moral fables; in fact they have nothing to prove. Their purpose is actually to inspire questions and insights that will aid the student to achieve self-realization.

Most of the stories in this book are based on actual events in the lives of martial arts teachers who have achieved legendary status. The almost superhuman abilities of some of the masters described here are evidence of the secret powers that can be wielded by those whose martial arts training is not simply the learning of physical techniques but involves the mastering of the subtle energies of the mind and body. Master of the Art of Archery Kenzo Awa could hit the center of a target even when shooting in total darkness. Assailants of Tai Chi master Yang Lu Chan found their blows did more damage to themselves than to their would-be victim. By reading--and comprehending--the tales in this book, we can acquire the same essential knowledge that these masters had--that extraordinary forces are within the grasp of those who have achieved inner peace and self-mastery.

'If you were gonna rob a bank, and you saw the vault door there, left open, what would you do? Would you wait around?'

Ever since he was a kid, kicking broken footballs on the streets of East London in the shadow of Canary Wharf's skyscrapers, Gary wanted something better. Something a whole lot bigger. Then he won a competition run by a bank- 'The Trading Game'. The prize- a golden ticket to a new life, as the youngest trader in the whole city. A place where you could make more money than you'd ever imagined. Where your colleagues are dysfunctional maths geniuses, overfed public schoolboys and borderline psychopaths, yet they start to feel like family. Where soon you're the bank's most profitable trader, dealing in nearly a trillion dollars. A day. Where you dream of numbers in your sleep - and then stop sleeping at all. But what happens when winning starts to feel like losing? When the easiest way to make money is to bet on millions becoming poorer and poorer - and, as the economy starts slipping off a precipice, your own sanity starts slipping with it? You want to stop, but you can't. Because nobody ever leaves. Would you stick, or quit? Even if it meant risking everything?

This is an outrageous, unvarnished, white-knuckle journey to the dark heart of an intoxicating world - from someone who survived the game.

At the sexually promiscuous court of Kyoto in early 11th century Japan, the poet Onogoro has an embarrassing problem with her love life. Oyu, the blind storyteller, holds the key to solving it. Hiding behind a screen in Onogoro's bedroom, Oyu is a potent but invisible guest at the feast of lovemaking. Only Oyu's cruel and sensual tales can unlock the secrets to Onogoro's orgasm. Writing in an era of astrologers and Tiger-gods, the unknown narrator sounds a startlingly modern note, as she seeks to escape a world of concubinage and female suppression. With The Pillow Boy of the Lady Onogoro, Alison Fell confirms that her's is one of the distinctive voices in contemporary British fiction.

As anyone who has flown into Los Angeles at dusk or Houston at midday knows, urban areas today defy traditional notions of what a city is. Our old definitions of urban, suburban, and rural fail to capture the complexity of these vast regions with their superhighways, subdivisions, industrial areas, office parks, and resort areas pushing far out into the countryside. Detractors call it sprawl and assert that it is economically inefficient, socially inequitable, environmentally irresponsible, and aesthetically ugly. Robert Bruegmann calls it a logical consequence of economic growth and the democratization of society, with benefits that urban planners have failed to recognize.

In his incisive history of the expanded city, Bruegmann overturns every assumption we have about sprawl. Taking a long view of urban development, he demonstrates that sprawl is neither recent nor particularly American but as old as cities themselves, just as characteristic of ancient Rome and eighteenth-century Paris as it is of Atlanta or Los Angeles. Nor is sprawl the disaster claimed by many contemporary observers. Although sprawl, like any settlement pattern, has undoubtedly produced problems that must be addressed, it has also provided millions of people with the kinds of mobility, privacy, and choice that were once the exclusive prerogatives of the rich and powerful.

The first major book to strip urban sprawl of its pejorative connotations, Sprawl offers a completely new vision of the city and its growth. Bruegmann leads readers to the powerful conclusion that "in its immense complexity and constant change, the city-whether dense and concentrated at its core, looser and more sprawling in suburbia, or in the vast tracts of exurban penumbra that extend dozens, even hundreds, of miles-is the grandest and most marvelous work of mankind."

“Largely missing from this debate [over sprawl] has been a sound and reasoned history of this pattern of living. With Robert Bruegmann’s Sprawl: A Compact History, we now have one. What a pleasure it is: well-written, accessible and eager to challenge the current cant about sprawl.”—Joel Kotkin, The Wall Street Journal

“There are scores of books offering ‘solutions’ to sprawl. Their authors would do well to read this book.”—Witold Rybczynski, Slate

'The past, if there is such a thing, is mostly empty space, great expanses of nothing, in which significant persons and events float. Nigeria was like that for me: mostly forgotten, except for those few things that I remembered with outsize intensity.'

Along the streets of Manhattan, a young Nigerian doctor doing his residency wanders aimlessly. The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past. Though he is navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation. But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey-which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.

A haunting novel about national identity, race, liberty, loss, dislocation, and surrender, Teju Cole's Open City seethes with intelligence. Written in a clear, rhythmic voice that lingers, this book is a mature, profound work by an important new author who has much to say about our world.

Winner of the Oregon Book Award for General Nonfiction and Los Angeles Times bestseller

"It makes good music sound better."-Janet Maslin in The New York Times

"A fascinating look into the West Coast recording studio scene of the '60s and the inside story of the music you heard on the radio. If you always assumed the musicians you listened to were the same people you saw onstage, you are in for a big surprise!"-Dusty Street, host of Classic Vinyl on Sirius XM Satellite Radio

If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew-whether you knew it or not.

On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves in Los Angeles, California as the driving sound of pop music-sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars.

Mining invaluable interviews, the author follows the careers of such session masters as drummer Hal Blaine and keyboardist Larry Knechtel, as well as trailblazing bassist Carol Kaye-the only female in the bunch-who went on to play in thousands of recording sessions in this rock history. Readers will discover the Wrecking Crew members who would forge careers in their own right, including Glen Campbell and Leon Russell, and learn of the relationship between the Crew and such legends as Phil Spector and Jimmy Webb. Hartman also takes us inside the studio for the legendary sessions that gave us Pet Sounds, Bridge Over Troubled Water, and the rock classic "Layla," which Wrecking Crew drummer Jim Gordon cowrote with Eric Clapton for Derek and the Dominos. And the author recounts priceless scenes such as Mike Nesmith of the Monkees facing off with studio head Don Kirshner, Grass Roots lead guitarist (and future star of The Office) Creed Bratton getting fired from the group, and Michel Rubini unseating Frank Sinatra's pianist for the session in which the iconic singer improvised the hit-making ending to "Strangers in the Night."

The Wrecking Crew tells the collective, behind-the-scenes stories of the artists who dominated Top 40 radio during the most exciting time in American popular culture.

From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised itSince the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and imperial cities of Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool: their architecture, culture, and society balls; the famines, uprisings and repressions which coursed through them; the primitive accumulation and ghostly bureaucracy which ran them; the British supremacists and multicultural trailblazers who inhabited them.From the pioneers of early America to the builders of modern India, from west to east and back again, Hunt follows the processes of exchange and adaptation that collectively moulded the colonial experience and which in their turn transformed the culture, economy and identity of the British Isles. This vivid and richly detailed imperial story, located in ten of the most important cities which the Empire constructed, demolished, reconstructed and transformed, allows us a new understanding of the British Empire's influence upon the world and the world's influence upon it.TRISTRAM HUNT is one of Britain's best known historians. Since 2010 he has been the MP for Stoke-on-Trent Central, and in October 2013 was made Shadow Secretary of State for Education. He is a senior lecturer in British history at Queen Mary, University of London, and has written numerous series for radio and television. He is also a regular contributor to the Times, Guardian and Observer. His previous books include The English Civil War at First Hand, Building Jerusalem, and The Frock-Coated Communist: The Revolutionary Life of Friedrich Engels, which was published in more than a dozen languages.Praise for The Frock-Coated Communist:'Beautifully written and consistently engaging' - Independent'An excellent book ... Hunt has a mastery of 19th-century British culture and European political thought' - Robert Service, Sunday Times'Thoughtful and engaging' - Telegraph Review

Naipaul's turn in the South takes him from Atlanta to Charleston, from Tallahassee to Tuskegee, from Jackson to Nashville to Chapel Hill. As he travels, he senses the strong pull the past exerts on inhabitants of the region: the weighty legacy of the land and history that seems to inextricably root to their homeland every Southerner he meets. Naipaul's journey is fueled by the ideas, the thoughts, the beliefs revealed in his probing conversations with Southern politicians and journalists, farmers and college professors, preachers and businessmen, waitresses and judges--who are his guides into the complex, often hidden, life of the South. ISBN 0-394-56477-4: $18.95.

It is 1806 and Napoleon is master of an empire covering half of Europe. He subdues kings, conquers woman and defies the Pope himself over the Continental Blockade. In this dazzling mix of history and creativity, Max Gallo brilliantly recreates the most pivotal and turbulent years of the Little Corporal's reign, ending with his 500,000 strong army's march into Russia in 1812. Shifting between the battlefield and the bedroom, this book follows every step of Napoleon's relentless pursuit of power.

Historian Edward Gibbons said: "Europe dates a new era from Charlemagne's restoration of the Western Empire. Now, leading biographer Derek Wilson has written a major life of the man who was the bridge between the ancient world and the world of the emerging and powerful Europe.
This Frankish chieftain was born in 742, son of Pepin the Short. Charlemagne, while repeating the military exploits of Julius Caesar, possessed a mind ignorant of classical culture. He ruled with the sagacity of a Marcus Aurelius, but the general who could order the summary dispatch of 4,500 was equally reminiscent of Caligula.
Even so, his activities were not confined to warfare. He introduced jury courts, revised the legal system, introduced new coinage, reformed weights and measures, and furthered missionary enterprises and monastic reform. He even began a German grammar and promised religious instruction in the
vernacular.
Charlemagne lives on as dramatically in legend, particularly in the Chanson de Bland, and his quarter century of imperial splendour is a truly incredible adventure story.

Despite feminist reassessments to the contrary, the conventional view that Elizabeth Gaskell personified the Victorian feminine ideal is still very much in place today. Challenging that view in an experimental biography, Felicia Bonaparte proposes that there lived in ""Mrs. Gaskell"" another, antithetical self, a daemonic double, that was not an angel in the house but instead a creature born to be a ""gypsy-bachelor."" Bonaparte does not dispute that ""Mrs. Gaskell"" did exist, but she suggests that Gaskell conceived her, as much as any fictional character, out of a desperate need produced by her childhood experience of rejection and abandonment, in order to gain the love of friends and family and the approval of the world. Gaskell herself, Bonaparte argues, told the story of her double in images encoded in her letters, fiction, and life. Using the methods of literary criticism for biographical ends, Bonaparte traces a pattern of these images, showing how a metaphor that may turn up as a figure of speech in one of Gaskell's letters may be embodied in a character in one of her short stories, dramatized in an incident or plot in one of her novels, and even actualized in an action or a relationship in her life. To reach the inner woman, Bonaparte claims, it is necessary to ""read"" Gaskell's letters, fiction, and life as a single poetic text. In addition to presenting a radically different interpretation both of Gaskell and of her literary work, Bonaparte's unique approach opens up interesting possibilities in a number of other areas: in the writing of biography, in the analysis of metaphor in the nineteenth-century novel, in the study of the relationship between literature and life, in the exploration of links between the inner and outer self, and in women's studies generally.

An illustrated biography of Isabelle Eberhardt who, although she died young, became a legend in her own lifetime. Using her diaries and many previously unpublished letters, the author tells of her childhood in Geneva, her adventures in the North African desert and her identification with the Arabs. The film rights of this book have been sold.

A classic study of James Graham a hero, nobleman and military genius who struggled for years against the anti royalists in the Civil War in Scotland. It covers his life from his youth through to the marches across mountains and glens until he was executed in 1650.

This groundbreaking book looks at one of the greatest cover-ups in history and dares to think the unthinkable about Christianity - that it was in fact a Jewish Mystery School modelled on the ancient Pagan Mysteries.

The myth of Dionysus bears startling resemblances to the the story of Jesus Christ. It compares with the biblical story in the following ways:

* Dionysus is God made flesh and is hailed as the 'Saviour of Mankind' and the 'Son of God'

* His father is God and and his mother is a mortal virgin who afterwards becomes worshipped as the 'Mother of God'

* He is born in a cowshed

* He drives out demons, turns water into wine and and raises people from the dead

* He rides triumphantly into town while people wave palms to honour him

The date revered by the first Christians as Jesus' birthday was originally that of Dionysus, also the three day Spring Festival of Dionysus celebrating his death and resurrection coincides with the Christian festival of Easter. The last Supper and the Eucharist are also parallel Dionysian rites.

This is not common knowledge as the story was a closely guarded secret of the Pagan mysteries. Secondly the evidence of Christianity's pagan roots were systematically covered up the Roman Church.