This work by the award-winning biographer on the controversial ruler who ushered in England's Golden Age is "quite simply, one of the best".--Library Journal.

Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.

Rosa Raisa (1893-1963) was legendary for her imposing, powerful, and wide-ranging voice as well as for her highly dramatic and emotionally stirring stage presence. A renowned star of the Chicago Opera, Raisa sang over 1,000 opera performances and concerts around the world. Held in high esteem by composers, conductors, and colleagues, she was Puccini's choice to create the lead roles in La rondine and Turandot. In this first biography of Raisa, Charles Mintzer provides a captivating and revealing portrait of a warm-hearted, generous artist whose career and complex personality were shaped by a life that crossed Jewish, Italian, and American cultural boundaries. Mintzer masterfully blends together his narrative with selections from Raisa's unpublished memoir and excerpts from contemporary critical reviews to present a well-rounded picture of this extraordinary woman and to trace her incredible journey to operatic fame. Born Raitza Burchstein in the Polish ghetto of Bialystok, she fled the 1906 pogroms and settled in Italy, where she studied under Barbara Marchisio at the Conservatory of Naples. After her operatic debut in 1913 as Leonora in Oberto during the Verdi centenary celebrations at Parma, she immediately joined Cleofonte Campanini's Chicago Opera and, renamed Rosa Raisa, achieved instant acclaim. Mintzer recounts her great successes in Chicago and on the company's national tours, as well as several seasons in South America, Mexico, and Italy. He discusses Raisa's most famous roles, describes the La Scala premiere of Turandot with Arturo Toscanini conducting, and offers fresh insights into her controversial Berlin engagement in a Tosca performance with Adolf Hitler in the audience. Mintzer also chronicles her marriage to baritone Giacomo Rimini, her illnesses and miscarriages, her financial collapse, her lifelong commitment to Jewish organizations and causes, and her puzzling burial in a Catholic cemetery. Lavishly illustrated with over fifty photographs, many of them previously unpublished, the book includes an authoritative chronology of all of Raisa's performances, her concert repertoire, and an annotated discography.