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    Galileo's Gout

    Galileo's Gout

    Engels, in zeer goede staat

    "America's most interesting and important essayist." --Eric Kandel, Nobel Prize-winning author of The Age of Insight

    "[Gerald Weissmann] bridges the space between science and the humanities, and particularly between medicine and the muses, with wit, erudition, and, most important, wisdom." --Adam Gopnik

    Embryonic stem cell research. Evolution vs. intelligent design. The transformation of medicine into "health care." Climate change. Never before has science been so intertwined with politics, never have we been more dependent on scientific solutions for the preservation of the species.

    Transporting us across more than four hundred years of pivotal moments in science and medicine, Gerald Weissmann distills history's lessons for today's new age of sect and violence: "The Endarkenment." Among others, he lingers with Galileo and his daughter in seventeenth-century Florence, Diderot and d'Alembert in Enlightenment Paris, William and Alice James in fin de siècle Boston, James Watson as the John McEnroe of DNA, and Craig Venter decoding the genome at the dawn of the twenty-first century. Weissmann's message is clear: "Experimental science is our defense--perhaps our best defense--against humbug and the Endarkenment."

    Gerald Weissmann (August 7, 1930 - July 10, 2019) was a physician, scientist, editor, and essayist whose collections include The Fevers of Reason: New and Selected Essays; Epigenetics in the Age of Twitter: Pop Culture and Modern Science; Mortal and Immortal DNA: Science and the Lure of Myth; and Galileo's Gout: Science in an Age of Endarkenment.

    Gerald Weissmann ;

    € 10,00

    Fingersmith

    Fingersmith

    Engels, halflinnen gebonden, met licht beschadigde omslag, in goede staat

    From the author of the New York Times Notable Book Tipping the Velvet and the award-winning Affinity: a spellbinding, twisting tale of a great swindle, of fortunes and hearts won and lost, set in Victorian London among a family of thieves.
    Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby's household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves-fingersmiths-for whom this house in the heart of a mean London slum is home.
    One day, the most beloved thief of all arrives-Gentleman, a somewhat elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a na?ve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud's vast inheritance. Once the inheritance is secured, Maud will be left to live out her days in a mental hospital. With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways. . . . But no one and nothing is as it seems in this > Dickensian novel of thrills and surprises.
    "The New York Times Book Review" has called Sarah Waters a writer of "consummate skill" and "The Seattle Times" has praised her work as "gripping, astute fiction that feeds the mind and the senses." Fingersmith marks a major leap forward in this young and brilliant career.

    Sarah Waters ;

    € 7,50

    Bauhaus 1919-1933....

    Bauhaus 1919-1933. Workshops for Modernity

    Linnengebonden, met omslag. Scheutje in omslag rechtsonder, verder in zeer goede staat

    The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

    Barry Bergdoll; Leah Dickerman ;

    € 25,00
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