Nieuwe producten

A New York Times BestsellerWinner of the Pulitzer Prize 2000. Winner of the PEN-Hemingway AwardNotable Book of the Year: The New York Times, San Francisco Chronicle, Los Angeles Times, Seattle Times, and Publishers WeeklyThe nine stories in this stunning debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations. Imbued with the sensual details of Indian culture, these stories speak with passion an wisdom to everyone who has ever felt like a foreigner. Like the interpreter of the title story, Lahiri translates between the strict traditions of her ancestors and a baffling new world.

A fresh translation of two seminal works of existentialism

"To understand Jean-Paul Sartre is to understand something important about the present time."—Iris Murdoch

"Sartre matters because so many fundamental points of his analysis of the human reality are right and true, and because their accuracy and veracity entail real consequences for our lives as individuals and in social groups."—Benedict O'Donohoe, Philosophy Now

It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity.

The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This book presents a new English translation of Sartre’s 1945 lecture and his analysis of Camus’s The Stranger, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture.

Now brought completely up to date, the new edition of this classic work on documentary films and filmmaking surveys the history of the genre from 1895 to the present day. With the myriad social upheavals over the past decade, documentaries have enjoyed an international renaissance; here Barnouw considers the medium in the light of an entirely new political and social climate. He examines as well the latest filmmaking technology, and the effects that video cassettes and cable television are having on the production of documentaries. And like the previous editions, Documentary is filled with photographs, many of them rare, collected during the author's travels around the world. Covering the full course of the documentary from Louis Lumiere's first effort to recent landmark productions such as Shoah, this book makes the growing importance of a unique blend of art and reality accessible and understandable to all film lovers.

Inger Christensen (1935-2009) was one of Denmark's best-known poets. Her poetry reflects a complex philosophical background, yet it has enjoyed wide public popularity. Many of her poems have a visionary quality, yet she is a paradoxically down-to-earth visionary, focusing on the simple stuff of everyday life and in it discovering the metaphysical, as if by chance.In alphabet, Christensen creates a framework of psalm-like forms that unfold like expanding universes, crystallizing into words both the beauty and the potential for destruction that permeate our world and our times. In this collection, she has created a system by combining the alphabet with Fibonnaci's numeric sequence, in which each number is equal to the sum of the two preceding numbers: 0, 1, 1, 2, 3, 5, 8, 13, etc. alphabet is about the relationship between people and nature and, like it, is itself a form of creation. With the word exist as the pivot, the poems move -- from the first wondering confirmation, apricot trees exist -- out into the world to life and death, the planet and calamity.

Conceived at the crossroads of Buddhism and indigenous earth-based practice, The Shamanic Bones of Zen explores the deep human traditions of transformation that are made possible by meditation, ceremony, ritual, dreams, and spiritual connection to one’s ancestry.

In The Shamanic Bones of Zen, celebrated author and Buddhist teacher Zenju Earthlyn Manuel undertakes a rich exploration of the connections between contemporary Zen practice and shamanic, or indigenous, spirituality. Drawing on her personal journey with the black church, with African, Caribbean, and Native American ceremonial practices, and with Nichiren and Zen Buddhism, she builds a compelling case for discovering and cultivating the shamanic, or magical, elements in Buddhism—many of which have been marginalized by colonialist and modernist forces in the religion.
 
Displaying reverence for the Zen tradition, creativity in expressing her own intuitive seeing, and profound gratitude for the guidance of spirit, Manuel models the path of a seeker unafraid to plumb the depths of her ancestry and face the totality of the present. The book conveys guidance for readers interested in Zen practice including ritual, preparing sanctuaries, engaging in chanting practices, and deepening embodiment with ceremony.

"I often felt my ancestors at ease with my practice of Zen. I felt they had led me through other traditions to this practice of ritual and ceremony,“ writes Manuel. ”The ancestors needed me to be still and breathe as they approached with what they had to offer my life.”

The Actual features Harry Trellman, a Chicago man who, after a lifetime of making money, has become a 'first class noticer', and realises he has been in love with Amy Wurstin since his high school days.

One of Time Magazine's 100 Must-Read Books of 2020 and an FT Best Book of the Year

Thought-provoking and deeply consoling, a perfectly distilled set of essays on the strangest year many of us have experienced, from one of our wisest and most humane thinkers

'As well as offering a new guide to living in a wild, messy and unfair world, Smith provides a reminder that we can use this crisis to imagine a better one' Evening Standard

Deeply personal and powerfully moving, a short and timely series of essays on the experience of lockdown, by one of the most clear-sighted and essential writers of our time

From the critically acclaimed author of Feel Free, Swing Time, White Teeth and many more

'There will be many books written about the year 2020: historical, analytic, political and comprehensive accounts. This is not any of those - the year isn't half-way done. What I've tried to do is organize some of the feelings and thoughts that events, so far, have provoked in me, in those scraps of time the year itself has allowed. These are above all personal essays: small by definition, short by necessity.'

Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans, and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love - an essential book in extraordinary times.

'Zadie Smith is a marvel - her soulfulness, her sensitivity, her ability to write . . . She doesn't try to make grand statements but just leaves you with the sense that you're in the company of someone who can help you feel things deeply' Tom Hollander in the Guardian

Based on the BBC television series, John Berger's Ways of Seeing is a unique look at the way we view art, published as part of the Penguin on Design series in Penguin Modern Classics.

'Seeing comes before words. The child looks and recognizes before it can speak.'

'But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled.'

John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: 'This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures.' By now he has.

John Berger (b. 1926) is an art critic, painter and novelist.born in Hackney, London.
His novel G. (1972) won both the James Tait Black Memorial Prize and the Booker Prize.

If you enjoyed Ways of Seeing, you might like Susan Sontag's On Photography, also available in Penguin Modern Classics.

'Berger has the ability to cut right through the mystification of professional art critics ... he is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation'
Peter Fuller, Arts Review

'The influence of the series and the book ... was enormous ... It opened up for general attention areas of cultural study that are now commonplace'
Geoff Dyer in Ways of Telling

'One of the most influential intellectuals of our time'
Observer

Handreiking vanuit het boeddhisme voor de omgang met storende emoties.

Bloemlezing van gedichten, die zich in de loop der eeuwen gehandhaafd hebben.

Friedrich Knolle was een van de meest geheimzinnige figuren uit de top van de Duitse administratie in bezet Nederland 1940-1945. Als topman bij de Sicherheitsdienst waren er maar weinig zaken waar hij niets vanaf wist. Na 1945 slaagde hij er vakkundig in zijn sporen uit te wissen. Midden jaren zeventig heeft hij echter alsnog een tip van de sluier opgelicht. De bandopnamen die toen gemaakt werden zijn nu weer opgedoken en worden met annotaties nu aan het publiek geïntroduceerd.

Twaalf verhalen die de zonzijden en de schaduwkanten tonen van de zowel de nieuwe als de oude wereld.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields, a feminist leader ahead of her time. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes, even of sexual assassinations. It is a novel rich with lunacy and sorrow, yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries-with more than ten million copies in print-this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

Columns over uiteenlopende onderwerpen.

Autobiografisch getinte verhalen over de politionele acties in Nederlands-Indië.

Brief appreciations of things Japanese, of the richness, mobility, and subtlety of the Japanese exchange of signs: published in France in 1970, and Barthes at his most seductive. These are the observations of every traveler, translated (without strain) into recognitions. The dinner tray seems a picture of the most delicate order; it is actually a palette, with which you are going to play in the course of your meal. . . (In the next piece: by chopsticks, food becomes no longer a prey to which one does violence . . . but a substance harmoniously transferred.) And this sequence of thoughts leads Barthes to remark on the absence of a center, a precious heart, a deep meaning (food is never anything but a collection of fragments). There then comes Tokyo: a city with an empty center, the forbidden grounds of the (figurehead) Emperor's palace. Japan not only affords Barthes a profusion of complex signs, it suites his penchant for the formal--and for non-meaning, the absence of a symbolic charge. The haiku is not a rich thought reduced to a brief form, but a brief event which immediately finds its proper form. Thus, also, the reflections on bowing; on Bunraku puppets; on the Zengakuren riots (a great scenario of signs climaxing in a purely vocal exercise--The Zengakuren are going to fight--without a subject or stated cause.) There is more concentrated pleasure here, along with fewer stylistic and other impediments--than in major works of the canon.

Anger. Fear. Guilt. Denial. Silence. These are the ways in which ordinary white people react when it is pointed out to them that they have done or said something that has - unintentionally - caused racial offence or hurt. After, all, a racist is the worst thing a person can be, right? But these reactions only serve to silence people of colour, who cannot give honest feedback to 'liberal' white people lest they provoke a dangerous emotional reaction.

Robin DiAngelo coined the term White Fragility in 2011 to describe this process and is here to show us how it serves to uphold the system of white supremacy. Using knowledge and insight gained over decades of running racial awareness workshops, she shows us how we can start having more honest conversations, listen to each other better and react to feedback with grace and humility. It is not enough to simply hold abstract progressive views and condemn the obvious racists on social media - change starts with us all at a practical, granular level, and it is time for all white people to take responsibility for relinquishing their own racial supremacy.

Is mathematics a discovery or an invention? Do numbers truly exist? What sort of reality do formulas describe?

The complexity of mathematics - its abstract rules and obscure symbols - can seem very distant from the everyday. There are those things that are real and present, it is supposed, and then there are mathematical concepts: creations of our mind, mysterious tools for those unengaged with the world. Yet, from its most remote history and deepest purpose, mathematics has served not just as a way to understand and order, but also as a foundation for the reality it describes.

In this elegant book, mathematician and philosopher Paolo Zellini offers a brief cultural and intellectual history of mathematics, ranging widely from the paradoxes of ancient Greece to the sacred altars of India, from Mesopotamian calculus to our own contemporary obsession with algorithms.

Masterful and illuminating, The Mathematics of the Gods and the Algorithms of Men transforms our understanding of mathematical thinking, showing that it is inextricably linked with the philosophical and the religious as well as the mundane - and, indeed, with our own very human experience of the universe.

The death and burial of Addie Bundren is told by members of her family, as they cart the coffin to Jefferson, Mississippi, to bury her among her people. And as the intense desires, fears and rivalries of the family are revealed in the vernacular of the Deep South, Faulkner presents a portrait of extraordinary power - as epic as the Old Testament, as American as Huckleberry Finn.