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    The Cossacks

    The Cossacks

    Engelse vertaling. Paperback. 28 x 22 cm., in zeer goede staat

    All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work-but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light-illegal at that hour-is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to the curbstone. A three-horse sledge from the post-station is there also. A yard-porter muffled up and pinched with cold is sheltering behind the corner of the house. 'And what's the good of all this jawing?' thinks the footman who sits in the hall weary and haggard. 'This always happens when I'm on duty.' From the adjoining room are heard the voices of three young men, sitting there at a table on which are wine and the remains of supper. One, a rather plain, thin, neat little man, sits looking with tired kindly eyes at his friend, who is about to start on a journey. Another, a tall man, lies on a sofa beside a table on which are empty bottles, and plays with his watch-key. A third, wearing a short, fur-lined coat, is pacing up and down the room stopping now and then to crack an almond between his strong, rather thick, but well-tended fingers. He keeps smiling at something and his face and eyes are all aglow. He speaks warmly and gesticulates, but evidently does not find the words he wants and those that occur to him seem to him inadequate to express what has risen to his heart.

    Leo Tolstoy ;

    € 10,00

    Saul Leiter. In My Room

    Saul Leiter. In My Room

    PRACHTEXEMPLAAR. Hardcover met stofomslag, nieuwstaat. Soft Erotische fotografie. SCHAARS, RARE book

    Leiter's painterly, ravishing, yet informal nudes from the 1940s to the 1970s

    The fruit of fantastic recent discoveries from Saul Leiter's vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist's studio in New York City's East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects. In the 1970s Leiter planned to make a book of nudes, but the project was never realized in his lifetime. Now, we get a first-time look at this body of work, which was begun on Leiter's arrival in New York in 1946 and honed over the next two decades. Leiter, who was also a painter, allows abstract elements into the photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. Leiter, who painted and took pictures prolifically up to his death, worked in relative obscurity until he entered his eighties. He preferred to be left alone, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery.
    Saul Leiter was born in Pittsburgh in 1923. In 1946 he moved to New York to become a painter, but was encouraged to pursue photography by the photographic experimentation and influence of his friend, the Abstract Expressionist Richard Pousette-Dart. Leiter subsequently enjoyed a successful career as a fashion photographer spanning three decades, and his images were published in magazines such as Esquire, Harper's Bazaar, Elle and British Vogue. His work is held in many prestigious private and public collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Victoria and Albert Museum. Leiter died in November 2013.

    Robert Benton; Margit Erb; Carole Naggar;

    € 125,00
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