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    How Democracies Die....

    How Democracies Die. What History Reveals About Our Future

    Engels, paperback, als nieuw

    'The most important book of the Trump era' The Economist

    How does a democracy die?
    What can we do to save our own?
    What lessons does history teach us?

    In the 21st century democracy is threatened like never before.

    Drawing insightful lessons from across history - from Pinochet's murderous Chilean regime to Erdogan's quiet dismantling in Turkey - Levitsky and Ziblatt explain why democracies fail, how leaders like Trump subvert them today and what each of us can do to protect our democratic rights.

    'This book looks to history to provide a guide for defending democratic norms when they are under threat, and finds that it is possible to fight back.' David Runciman

    'A useful primer on the importance of norms, institutional restraints and civic participation in maintaining a democracy - and how quickly those things can erode when we're not paying attention' President Barack Obama

    'A must-read'
    Andrew Marr, Sunday Times

    'The greatest of the many merits of Levitsky and Ziblatt's How Democracies Die is their rejection of western exceptionalism. They tell inspiring stories I had not heard before' Nick Cohen, Observer

    'Provocative, timely. One of my favourite reads this year' Elif Shafak

    'Anyone who is concerned about the future of democracy should read this brisk, accessible book. Anyone who is not concerned should definitely read it' Daron Acemoglu, co-author of Why Nations Fail

    Steven Levitsky Daniel Ziblatt ;

    € 8,50

    Just Around Midnight....

    Just Around Midnight. Rock and Roll and the Racial Imagination

    Engels, half linnen gebonden, in zeer goede staat.

    By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.

    Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise.

    According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

    Jack Hamilton ;

    € 17,50

    The Flight of the...

    The Flight of the Intellectuals

    Engels. Hardcover met omslag, vrijwel als nieuw

    Twenty years ago, Ayatollah Khomeini called for the assassination of Salman Rushdie--and writers around the world instinctively rallied to Rushdie's defense. Today, according to writer Paul Berman, "Rushdie has metastasized into an entire social class"--an ever-growing group of sharp-tongued critics of Islamist extremism, especially critics from Muslim backgrounds, who survive only because of pseudonyms and police protection. And yet, instead of being applauded, the Rushdies of today (people like Ayan Hirsi Ali and Ibn Warraq) often find themselves dismissed as "strident" or as no better than fundamentalist themselves, and contrasted unfavorably with representatives of the Islamist movement who falsely claim to be "moderates."

    How did this happen? In THE FLIGHT OF THE INTELLECTUALS, Berman--"one of America's leading public intellectuals" (Foreign Affairs)--conducts a searing examination into the intellectual atmosphere of the moment and shows how some of the West's best thinkers and journalists have fumbled badly in their efforts to grapple with Islamist ideas and violence.

    Berman's investigation of the history and nature of the Islamist movement includes some surprising revelations. In examining Hassan al-Banna, the founder of the Muslim Brotherhood, he shows the rise of an immense and often violent worldview, elements of which survives today in the brigades of al-Qaeda and Hamas. Berman also unearths the shocking story of al-Banna's associate, the Grand Mufti of Jerusalem, who collaborated personally with Adolf Hitler to incite Arab support of the Nazis' North African campaign. Echoes of the Grand Mufti's Nazified Islam can be heard among the followers of al-Banna even today.

    In a gripping and stylish narrative Berman also shows the legacy of these political traditions, most importantly by focusing on a single philosopher, who happens to be Hassan al-Banna's grandson, Oxford professor Tariq Ramadan--a figure widely celebrated in the West as a "moderate" despite his troubling ties to the Islamist movement. Looking closely into what Ramadan has actually written and said, Berman contrasts the reality of Ramadan with his image in the press.

    In doing so, THE FLIGHT OF THE INTELLECTUALS sheds light on a number of modern issues--on the massively reinvigorated anti-Semitism of our own time, on a newly fashionable turn against women's rights, and on the difficulties we have in discussing terrorism--and presents a stunning commentary about the modern media's peculiar inability to detect and analyze some of the most dangerous ideas in contemporary society.

    Paul Berman ;

    € 10,00
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