This dictionary contains about 2000 terms and gives an explanatory guide to specialist terms for researchers and professionals involved in acoustics. It provides examples of specific terms and is cross-referenced. Methods for measuring and studying acoustical parameters are also mentioned. The dictionary also supports multidisciplinary communication within acoustics, including: architectural acoustics, audiology, bioacoustics and human effects, basic maths and physics, basic acoustics, signal processing, transducers, variational methods

Celebrates the achievements of thirty women working in the motion picture industry, including actors, directors, producers, screenwriters, film editors, and production designers.

Set on an island in the South Pacific during the final days of World War II, when the tide has turned against Japan and the war has unmistakably become one of attrition, The Breaking Jewel offers a rare depiction of the Pacific War from the Japanese side and captures the essence of Japan's doomed imperial aims. The novel opens as a small force of Japanese soldiers prepares to defend a tiny and ultimately insignificant island from a full-scale assault by American forces. Its story centers on squad leader Nakamura, who resists the Americans to the end, as he and his comrades grapple with the idea of gyokusai (translated as "the breaking jewel" or the "pulverization of the gem"), the patriotic act of mass suicide in defense of the homeland. Well known for his antiestablishment and antiwar sentiments, Makuto Oda gradually and subtly develops a powerful critique of the war and the racialist imperial aims that proved Japan's undoing.

Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.

(Applause Books). The voices of five major playwrights offering a vibrant range of styles and themes can be heard here as they resound from the stage of The Women's Project. Cassandra Medley - Ma Rose; Lavonne Mueller - Five in the Killing Zone; Marlane Meyer - Etta Jenks; Maria Irene Forenes - Abingdon Square; Sally Nemeth - Mill Fire.

Essays and autobiography from one of the pioneers of feminist film theory.

Though stage directing has traditionally been a male-dominated profession, the number of women directors in the United States has grown significantly in recent years. In this work, 35 contemporary women stage directors, with regional, national and international theater backgrounds, share their views on the creative process and the influences of gender on their artistic decision making. How does it feel to be defined as a woman director rather than simply a director? Does gender affect their authority? These questions and many others are explored in this study.

This volume is a study of women in French cinema from 1981 which includes material on stars, directors and producers. Each chapter includes an analysis of five or six films, and a concluding chapter examines the value and place of women in the French film industry.