Tent.cat. bij de gelijknamige tent. (Gemeentemuseum, Den Haag).

Tent.cat van gelijknamige tent. (Mauritshuis, Den Haag) metessays en bijdragen vanmeerdere auteurs en 38 geill. cat.nrs.

Tent.cat. van gelijknamige tent. (Museum Boymans-van Beuningen, Rotterdam) met bijdragen in het Nederlands en Engels van meerdere auteurs en 100 geill. cat.nrs.

Overzicht van honderd beelden van honderd kunstenaars uit de collectie van het museum Beelden aan Zee te Scheveningen.

Veilingcat. van Christie's van een juwelenveiling in Geneve op 19 en 20 november 1980 met141 ill. waarvan 60 in kleur.

Tent.cat. van geljknamige tent. (Hermitage, Amsterdam) met bijdragen van meerdere auteurs en z-w en kleurenill.

Mede vanuit eigen ervaringen geschreven overzicht van de Nederlandse praktijk ten aanzien van asielzoekers, die vaak onnodig bureaucratisch en willekeurig is.

Tent.cat. van gelijknamige tent. (Hedendaagse Kunst - Utrecht) interview door Wouter Kotte met de kunstenaar, z-w ill., lijst getoonde werken.

Tent.cat. van gelijknamige tent. (Museum Boymans-van Beuningen, Rotterdam; Bonnefantenmuseum, Maastricht) met tekst in Nederlands en Engels van Dick Hillenius, z-w ill.,biografie, lijst getoonde werken.

Tent. cat. van gelijknamige, reizende tent. (Aachen, Ludwigshafen, Gelsenkirchen, Utrecht, Hasselt, Wien) met bijdragen in Duits en Engels van meerdere auteurs, z-w en kleurenill.

Methode voor ondernemers om het rendement van investeringen in internet te bepalen en te verbeteren.

In Lost Saints Tricia Lootens argues that parallels between literary and religious canons are far deeper than has yet been realized. She presents the ideological underpinnings of Victorian literary canonization and the general processes by which it occurred and discloses the unacknowledged traces of canonization at work today. Literary legends have accorded canonicity to women writers such as Felicia Hemans, Elizabeth Barrett Browning, and Christina Rossetti, she contends, but often at the cost of discounting their claims as serious poets. "Saint Shakespeare", midcentury "Woman-Worship", and "Shakespeare's Heroines" provide three focal points for analysis of how nineteenth-century criticism turned the discourse of religious sanctity to literary ends. Literary secular sanctity could transform conflicts inherent in religious canonization, but it could not transcend them. Even as they parody the lives of the saints, nineteenth-century lives of the poets reinscribe old associations of reverence with censorship. They also carry long-standing struggles over femininity and sanctity into new, highly charged secular contexts. Through case studies of the canonization of Elizabeth Barrett Browning and Christina Rossetti, Lootens demonstrates how nineteenth-century literary legends simultaneously glorified women poets and opened the way for critical neglect of their work. The author draws on a wide range of sources: histories of literature, religion, and art; medieval studies and folklore; and nineteenth-century poetry, essays, conduct books, textbooks, and novels.

Summary: The dictionary in this volume is derived from the Collins English Dictionary and the thesaurus element is derived from the New Collins Thesaurus.