Portret van een bloeiende rooms-katholieke parochie.

Levensbeschrijving van de Oostenrijkse componist Jozef Haydn (1732-1809). Vanaf ca. 10 jaar.

Beschrijving van een aantal principes van leidinggeven aan de hand van uitspraken en ideeën van topvoetballer Johan Cruijff.

Een psychologe en geestelijk verzorgster in een psychiatrisch ziekenhuis overdenkt de verhouding tussen God en mens en hoopt te komen tot een aanvaarding van goed en kwaad.

Als een Amerikaanse journaliste onderzoek doet naar de jodenvervolging in Frankrijk, stuit ze op een geheim van haar schoonfamilie.

Bundel artikelen waarin het vakpsychologische denken over moraal getoetst wordt aan de historische en culturele veranderlijkheid van ethiek.

Rosenblum's "Transformations in late Eighteenth century art" is still one of th best and most inspiring books on the art of neoclassicism and early romaticism. Encompassing both pictorial arts and architecture, it points central themes in the arts of that time. It offers clues to further investigations as to the seminal character of the fundamental changes in the art and architecture of the late 18th century. And it is wonderfully wide in perspective and clear in its argument. It presents a number of focus in a period where one gets easily lost in either superficial statements or far too detailed information.

Classical architecture is a visual "language" and like any other language has its own grammatical rules. Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the "Latin" of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself.in this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of "the orders" and the scope of "rustication"; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the "modern" architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.